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Category: Art

  • Pantone Color Vision Test Evaluates Your Ability to Differentiate Hues

    Pantone Color Vision Test Evaluates Your Ability to Differentiate Hues

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    Color Vision Test by Pantone

    Photo: Markus Spiske

    Have you ever wondered what it takes to work for Pantone? The world-renowned color factory requires all of its employees to have near-perfect color vision, meaning they can see subtle hue distinctions that others can’t. To evaluate a person’s level of color vision, Pantone have released a fun online Color IQ Test that challenges your ability to distinguish swatches of similar shades.

    The quick, 2-3 minute color vision test features four distinct grid-like lines with 10 varying swatches for each hue. The aim of the game is to drag and drop each tile, arranging them chromatically so that they align with the first and last swatches of each row. The simple challenge is based on the Farnsworth Munsell 100 Hue Color Vision test, a system typically used to test color blindness. Following the same layout, the rows in Pantone’s Color IQ Test cover orange/magenta hues, yellow/green hues, blue/purple hues, and purple/magenta hues, in that order.

    Unlike a typical IQ test, the closer your score is to zero, the better your color vision is—and a score of zero signifies perfect color vision. To achieve accurate results, Pantone recommend that you calibrate your monitor. Take the test on the Pantone website and discover your color vision capability.

    Pantone has launched a “Color IQ Test” that allows you to discover your level of color vision.

    Color Vision Test by PantonePantone: Website | Facebook | Instagram | Twitter | Pinterest
    h/t: [DesignTAXI]

    All images via Pantone.

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    H/T: MyModernMet

  • Lossapardo’s Art Illustrates Both Loneliness And Solitude

    Lossapardo’s Art Illustrates Both Loneliness And Solitude

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    Lossapardo is a French painter, musician and animator whose paintings convey a quiet but strong emotion. The Paris-based artist combines music and art to create animations that tell a melancholic story of human sensitivity.

    Loneliness and insomnia are two themes evident in Lossapardo’s work, and both are experiences that many people deal with in today’s world.

    “I paint a certain mood in every piece”, Lossapardo explains in an interview with IGNANT. “There’s something negative perceived in terms of loneliness, and in this series I wanted to talk about the need to be alone sometimes, to have those stolen moments”.

    Each painting tells a different story with attention to colour, light and shadow.

    When asked about his decision to merge music and art together, Lossapardo describes the power of music as an art form:

    “The type of art people are the most sensitive to”.

    The combination of audiovisual art is something that always touched him, and he, therefore, wanted to produce a body of work that would instil this same emotion in his audience.

    “Music allows you to add depth to a story”, he muses, and he hopes that the viewer will find themselves “In a cosy place to stay, just for once when you want to be selfish, and be alone to enjoy a calm night”.

    That is, after all the point of enjoying solitude something Lossapardo wishes we would do more often.

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    h/t: Ignant

  • Inktober: The Worldwide Art Challenge Everyone Should Be Drawing in October

    Inktober: The Worldwide Art Challenge Everyone Should Be Drawing in October

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    Inktober

    This post may contain affiliate links. If you make a purchase, My Modern Met may earn an affiliate commission. Please read our disclosure for more info.

    When it comes to creating art, getting started is often the hardest part. It’s made a little easier, however, when you’ve got thousands of people doing it at the same time. We’ve seen how daily and monthly photography projects can stretch your imagination and bring forth new and exciting developments in your work. But if a drawing is more your style, we’ve got the perfect creative challenge to inspire daily art-making: Inktober. This annual event takes place every year in October, inviting people from all around the world to participate.

    What is Inktober?

    Inktober dates back nearly a decade. Illustrator Jake Parker created it in 2009 as a way to improve his “inking skills and develop positive drawing habits.” The premise is simple: each day in October, make a drawing in ink and share it online using the hashtag #Inktober. Starting in 2016, Inktober has had an official prompt list with words to inspire your daily routine. They’re specific, but not overly so that everyone’s drawings will look the same; there’s a lot of room for interpretation.

    [youtube https://www.youtube.com/watch?v=Q320efwokQk]

    Here are the Inktober prompts for 2018:

    Inktober Prompts Inktober 2018

    Inktober is certainly a commitment, but there is some wiggle room if drawing each day just isn’t possible. “You can do it daily, or go the half-marathon route and post every other day, or just do the 5K and post once a week,” Parker explains. “Whatever you decide, just be consistent with it.” Above all, Inktober is about being consistent and getting better through practice. Try recording your work in an art journal!

    Supplies for Inktober

    The Inktober name says it all: you’ll want to use some sort of ink for your October drawings. If you’re unfamiliar with ink, however, check out our favourite markers for artists or try these highly-rated pens and sets:

    Completing a daily drawing is a great way to test out different types of ink, brushes, and pens. But to get the most out of Inktober, you’ll want to have a basic understanding of the materials and techniques.

    Inktober Prompts

    Mark A. Klein

    Here are a couple of online classes that will introduce you to pen, ink, and watercolour. Best of all, you can take them from the comfort of your studio.

    Pen & Ink Essentials, Craftsy: In this class, you’ll start by capturing form using contour lines and then move onto ink washes, hatching techniques, and more.

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    h/t: MyModernMet

  • Mind-Bending Illusion Tattoos Reveal Entire Worlds Hiding Beneath the Skin

    Mind-Bending Illusion Tattoos Reveal Entire Worlds Hiding Beneath the Skin

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    A post shared by Jesse Rix (@jesse_rix) on

    Tattoo artist Jesse Rix creates visual magic on the body. With an expert understanding of optical illusion tattoo designs, his trompe-l’œil body art reveals otherworldly scenes hiding just beneath the skin. The crisp lines, master use of perspective, and bold colors create an incredible sense of depth that will make you momentarily think you’re gazing into another universe.

    Rix considers surrealism a huge influence on his work, and he gravitated towards the art movement in high school, when he came across the works of Dalí and M.C. Escher. From this introduction to surrealism, he recalls “taking realistic elements and putting them in situations they wouldn’t normally exist.” This idea has translated into his expansive tattoos, which always have a familiar element to them, whether that’s a person or place. It always comes with a caveat, however, and nothing is as it seems. “I’m trying to represent that mindset when you enter into a REM sleep or a dreamlike state and your subconscious comes to the forefront.”

    Rix works in a private studio in the town of Keene, New Hampshire. They are open by appointment only and take clients based on an application process. But if the New England town is out of the question for you, Rix occasionally travels to tattoo studios and conventions around the world.

    Artist Jesse Rix creates optical illusion tattoos that reveal entire worlds just beneath the skin.

    A post shared by Jesse Rix (@jesse_rix) on

    A post shared by Jesse Rix (@jesse_rix) on

    A post shared by Jesse Rix (@jesse_rix) on

    A post shared by Jesse Rix (@jesse_rix) on

    A post shared by Jesse Rix (@jesse_rix) on

    A post shared by Jesse Rix (@jesse_rix) on

    A post shared by Jesse Rix (@jesse_rix) on

    A post shared by Jesse Rix (@jesse_rix) on

    A post shared by Jesse Rix (@jesse_rix) on

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    h/t: My Modern Met

  • Jonathan Baldock’s Performative Art Probes The Human Body

    Jonathan Baldock’s Performative Art Probes The Human Body

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    British artist Jonathan Baldock works across multiple platforms that include large-scale installations, sculptures and performance. His art seeks to address the nuances of the human body—with all of its imperfections, weirdness, and stresses.

    The London-based artist uses ceramics, fabrics, weaving and sculptural assemblage to create surreal works of the human body in various different forms. Baldock’s artist biography explains that he aims to address the “Trauma, stress, sensuality, mortality, and spirituality around our relationship to the body and the space it inhabits”. He uses fabric specifically as a metaphor for human skin, bringing forth a component that is both unsettling and humorous. Baldock’s work has a performative element to it, that brings the viewer, object and space together into question as a ritual act.

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  • Russian Artists Created The Ultimate Virtual Reality Project

    Russian Artists Created The Ultimate Virtual Reality Project

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    The Russian project “Defected Pixel” is causing quite a stir online, in fact, it’s gone viral. The creators combine real photos with pixelated objects, including a man smoking, a gramophone, food…even the sky has been given the eight-bit treatment. Dmitry Shafrov, one of the artists behind the project, is an avid gamer with fond memories of the Sega and Dendy-era consoles.

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    h/t: DesignYouTrust

  • Loribelle Spirovski Uses Art To Understand Her Immigrant Background

    Loribelle Spirovski Uses Art To Understand Her Immigrant Background

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    Australian visual artist Loribelle Spirovski uses paint as her medium to create artworks centering around portraiture. Themes of color and space strongly inform the nature of her work, which is characterized by the contrasting elements of photorealism, pop art, and surrealism.

    Spirovski is born to a Filipino mother and Yugoslav father and moved to Australia at a young age. Art had always been a mechanism for escapism, and a way to process the profound effect that moving countries had on her. This feeling is translated into her paintings; each displays a feeling of melancholy and otherness. “Over the past few years, I have found that I have become more and more drawn to the tension of a space – they need to fill it, the need to understand its strange sentience. As a child of immigrants and an immigrant myself”, she continues, “My fixation on space is a particularly meaningful one”. She admits she uses painting to find herself within the space of a canvas—whether through the portrait of a person she’s encountered, or the portrait of someone she’s only imagined. “These indirect self-portraits are distillations of my identity as a young woman, with all of my fixations, obsessions and anxieties”. Her body of work can be split into two categories, both of which examine the superficial layers and hidden depths of the human condition. ‘Light’ paintings with vibrant colors of both figures and landscapes, and ‘dark’ paintings that utilize a more somber palette to depict figures.

    All images © Loribelle Spirovski

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  • Contorting Sculptures In Public Spaces By Ken Kelleher

    Contorting Sculptures In Public Spaces By Ken Kelleher

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    American Sculptor Ken Kelleher makes large-scale digital sculptures that are imagined in real public spaces. The abstract renderings are mammoth in size and appear to stand in strong contrast to their surroundings of galleries, gardens, and public squares.

    Kelleher sees sculpture as a continuous dialogue between material and form, light and shadow, time and space, and content. His digital art is part of an ongoing creative endeavor where surprise is a key element: “I’d say surprise and delight”, remarks the artist. “There’s an element of surprise when you create something that has never before existed in the world”. Kelleher’s work is inspired by abstract sculptors David Smith and Anthony Caro. He takes basic, elemental shapes and inflates them; then alters and layers them in newly imagined forms. The intention behind this is to facilitate dialogue about what it means to create—whether that’s real, tangible art or digital renderings. “Sculpture for me is an inquiry into the deep mysterious nature of things”, he continues. “What does it say to you? Where will it love? What is its larger context of being?”

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  • Human Emotion Abstracts Emilio Villalba’s Portraits

    Human Emotion Abstracts Emilio Villalba’s Portraits

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    California-based artist Emilio Villalba creates portraits in oil paint that explore the human condition through gestural abstraction.

    “I’m fascinated with the idea of human emotion and why it is so important”, Villabla explains. “In my paintings, I try to explore and express emotion by altering and distorting features—creating a kind of dissonance.” His work does this by reproducing the subtle shifts of those who sit for him—the anxious movement of mouths, the flickering of eyelids, the body language that depicts emotion in a physically tangible way. “With these pieces, I wanted to explore a kind of omnipresent pressure I think we all live under. One that grows out of the clash between humanity—our unique mess of emotions, obsessions and urges—and society’s prescription for success”, he explains in his artist statement. “I’ve always been fascinated by the mess.”

    All images © Emilio Villalba

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  • Fatemeh Baigmoradi On Censorship And The Fires Of Revolution

    Fatemeh Baigmoradi On Censorship And The Fires Of Revolution

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    Iranian artist Fatemeh Baigmoradi has created a work informed by her parents’ past; ‘It’s Hard To Kill’ explores memory and history through a prism of political censorship by razing people with fire from photographs.

    Baigmoradi’s parents have very few photos of their life in Iran from before the 1979 Islamic Revolution. The pictures they do have survived burning, their contents not pertaining to political ‘guilt’. ‘It’s Hard To Kill’ is a meditation on such fear and censorship; in it Baigmoradi has taken others family photographs and removed the identity of the people within them with flames.

    The Islamic Revolution began with a popular movement towards democracy, and ended with the establishment of the world’s first Islamic State. Prior to the revolution, the opposition groups fell into three main groups: Marxist, Islamist and the Constitutionalist (which included the National Front). As Baigmoradi explains in her statement about the piece: “All three participated in the 1979 revolution, but gradually after victory, the Islamist party that had the majority started to put the other parties away, by slandering and condemning, then arresting, forcing into exile, and execution.”

    Her father had been a member of the National Front party, and in the years that followed the revolution he burnt photos that referenced his membership in a frantic, but necessary, act of survival. These photos were, Bagmoraidi notes, “probably burned in a fearful ritual to protect my father, or at least not to harm him.” Obsessed by the idea of these destroyed photographs, in ‘It’s Hard To Kill’, Baigmoradi makes a broader comment on political censorship and fear. “I am making my work based on a true story that happened over and over for different people, from different nations, after social revolutions,” she explains. In this way, ‘It’s Hard To Kill’ seems both an act of protection, and a statement about freedom.

    All images © Fatemeh Baigmoradi

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