Category: Photography

Known affectionately as the ‘shashlik skewer’ today, it is only one of seventeen public sculptures, over 250 sculptures, and countless drawings that comprise the oeuvre of Hans Uhlmann. A luminary of West Berlin modernity and one of Germany’s foremost metal sculptors, Uhlmann has in recent decades remained in the farther corners of public memory. Now, the Berlinische Galerie has turned a spotlight back onto his legacy. The exhibition Hans Uhlmann: Experimental Forming (through until May 143, 2024) deconstructs Uhlmann’s oeuvre from the 1930s to the 1970s. A sequence of seven chapters traces the evolution of his practice. ‘Spaces Shaped with Wire,’ ‘Dance and Movement,’ ‘Transcending the Material,’ and ‘A New Astronomy of Space’ chart his various artistic phases, while ‘Curator and Networker,’ ‘International Success,’ and ‘Monumental Sculptures’ explore Uhlmann’s international success, curatorial work and creator of noted ‘percent for art’ (public commission) artworks.

Uhlmann’s foray into artistic practice came by way of the technical. He initially studied mechanical engineering at the Technische Hochschule before beginning to work as an engineer. In his spare time, he dabbled in sculpture, taking part in exhibitions now and then. In October 1933, Uhlmann, who was at the time a member of Germany’s Communist Party (KPD), was detained by the Gestapo with the charge of ‘preparing for high treason’ and was sentenced to one and a half years in prison. During his incarceration, Uhlmann found psychological freedom by pouring himself into his art, developing amongst other designs the concept of a ‘wire sculpture’ which he realized after his release. Throughout the evolution of his practice, his early work remained highly influential – “the most important period in my artistic development,” in his own words.

A visible undertaking encouraged by Dante Alighieri’s Divine Comedy. In it, the writer turns Rams’ ten ideas of excellent design within out and turns them into 10 circles of style hell.

“During my analysis, I crafted a system of peculiar sins. For those people who simply cannot see that they’ve been wandering down the same route for many years. For those who mindlessly operate following trends. For people who draw attention to distract from meaning. For those who steer other people down false paths,” – Alina Kompa.

Extra: Instagram, Behance

Marta Gozha’s minimalist illustrations for Projector’s creative and tech classes glow in layout.

Her do the job presents daily objects a fresh new look with simple strokes and outlines, matching Projector’s mission to inspire tech and design fanatics. Like a glamorous little black gown, the blue, black, and white palette honors Projector. Gozha’s minimalist art conveys its message quietly but profoundly, like a tranquil early morning that drowns out the planet. Her Projector illustrations display that fewer is extra in style and design and that class and simplicity often leave the finest perception.

Far more: Behance, Instagram

In the early 1930s, Brassaï, the pseudonym for Gyula Halász, captured the essence of Paris at evening by means of amazing black-and-white images, showcasing the two its class and its underbelly.

Arriving in Paris in 1924 at age 25, the Hungarian artist speedily mingled with noteworthy figures like Picasso and Dalí. In the beginning hesitant about photography, Brassaï embraced it, revealing the city’s nightlife, from its glittering landmarks to its gritty streets. His perform featured a vary of subjects, from superior modern society to the city’s marginal figures, and depicted scenes of labor and leisure below the glow of gasoline lamps and neon lights, showcasing the twin character of the City of Light-weight.

h/t: vintag.es

Joseph Binder, a Vienna-born graphic designer and painter, started Wiener Graphik in 1924. Gebrauchsgraphik, a top German style magazine, showcased his perform. Pure photographs depicted in geometric types and flat colors described his Viennese function.

h/t: vintag.es

After lecturing at the Chicago Art Institute and Minneapolis University of Art in the early 1930s, Binder focused on the US. Throughout the 1930s, Binder’s posters in New York and Tokyo exhibitions boosted his international popularity. His Vienna studio closed in 1938, two many years right after he moved to the US.
Binder’s streamlined pictures and vivid shades were renowned. Posters for the 1939 New York World’s Fair, Military Air Corps, and American Red Cross are among the his most famed. Retirement in 1963 allowed him to paint.

Although putting in his 1972 Vienna portray exhibition, Binder died of a coronary heart attack. Beneath are Joseph Binder’s classic posters.

The future is unpredictable. Since the beginning of time, humans have tried to predict the future, but even the most advanced science cannot guarantee anything. Many people use fantasy to predict the future to fill this uncertainty. Dougal Dixon’s work may be the most intriguing.

More: Dougal Dixon

Dougal Dixon, a Scottish paleontologist, published over 100 books. He is best known for “After Man: A Zoology of the Future” (1981) and “Man After Man- An Anthropology of the Future” (1990). His books introduced “fictional evolution,” which has influenced dystopian science fiction since.

In “After Man,” Dixon describes fictional animal species’ hypothetical evolution over 50 million years, which he calls “Posthomic”. The book describes a world with over 100 new animal species and fused continents. The film “After Man” is acclaimed worldwide. Shizuno Nishimori made a 1990 stop-motion documentary of the novel.

“Man after Man” was released 9 years after “After Man” and focuses on human evolution from 200 years to 5 million years in the future. The book discusses human technological, social, and biological evolution. Dixon predicts that humankind will evolve into several species that can survive in space and underwater as he discusses parasitism, elective surgery, and technical progress. As technology disappears and humans’ descendants revert to animal-like instincts for food and survival, modern humanity will die out.

Argentine photographer Irina Werning (formerly showcased) has created a distinctive series of pics. Imaginative portraits of very long-haired girls have been her focus for 17 years. The project, “Dear Prolonged Hair,” features young children and adults with long hair.

The creator described how the project commenced: “For indigenous communities, hair is the physical manifestation of our ideas and an extension of ourselves, and the same is genuine for Mother Earth’s views like vegetation escalating and rivers flowing in nature. Indigenous communities practiced reverence, humility, and reciprocity because of their deep non secular relationship to Earth.

A lot more: Instagram h/t: boredpanda