Category: Photography

  • 2017 Pirelli Calendar Shows Unphotoshopped Beauty Of Older Celebrities

    2017 Pirelli Calendar Shows Unphotoshopped Beauty Of Older Celebrities

    German photographer Peter Lindbergh has gone old school for the 2017 Pirelli Calendar featuring older celebrities without any Photoshop retouching, just their natural beauty as seen by the photographer’s eyes.

    The black-and-white series is called “Emotional” and it’s a continuation of the photographer’s work from last year when he was creating natural portraits of powerful women. “I wanted to portray women not in terms of their perfection, but through their feelings and emotions. That’s why I called this edition of the Calendar Emotional: not some artificial perfection, but the real world and the emotions that well up behind the faces of these women,” Lindbergh said.

    The calendar features 14 celebrities, including Nicole Kidman, Uma Thurman, Penelope Cruz and more, all natural without the intervention of any digital helpers. And at least to me, the results are way more intimate and personal this way.

    More info: pirelli.com | facebook | instagram (h/t: boredpandamymodernmet)

    Nicole Kidman

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    Robin Wright

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    Lupita Nyong’o

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    Penelope Cruz

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    Kate Winslet

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    Jessica Chastain

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    Uma Thurman

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    Julianne Moore

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    Helen Mirren

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    [youtube https://www.youtube.com/watch?v=9LRgzaeyAzg?showinfo=0]

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  • French Farmers Calendar Will Make 2017 The Hottest Year On Record

    French Farmers Calendar Will Make 2017 The Hottest Year On Record

    Farming has never been so sexy as through the lens of Fred Goudon, who is back with another calendar featuring the fantasies of anyone with a soft spot for shirtless dudes doing chores.

    From Champagne and Picardie to Normandie and Provence, Goudon has searched for those French farmers willing to take off some of their clothes and pose in farms all over the country. All in the hopes of making the year 2017, worth waiting for. But if you can’t wait, you can head over to Amazon to get yours now.

    More info: fred goudon (h/t)

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    If you can’t wait, you can head over to Amazon to get your calendar.

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  • Time Travel By Davis Ayer

    Time Travel By Davis Ayer

    Known for his dreamy creations, Davis Ayer comes back with a magnificent, surreal series called ‘Time Travel’, where the LA-based photographer illuminates the memories on nude bodies. Compressing emotions, time and consciousness, Ayer creates hazy photographs of vintage images projected on naked bodies. Trees blowing in the summer breeze, the impressions of big cities and blurry traces of the past create a map of personal experience. However, while exploring our connection with memories, the photographer does something unexpected: the memories illuminated on the body are not necessarily identified with this person’s life. Playing with concepts, the artist studies how much we can emphasize with other people’s experience and with past in general.

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    All images © David Ayer

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  • Top 100 Most Influential Photos Ever Taken

    Top 100 Most Influential Photos Ever Taken

    The famous TIME magazine has just released a list of 100 most influential pictures ever taken. And a team of competent specialists ranging from curators and historians to photo editors from around the world gathered to make this list worth seeing.

    There is no formula that makes a picture influential,” say the editors. “Some images are on our list because they were the first of their kind, others because they shaped the way we think. And some made the cut because they directly changed the way we live. What all 100 share is that they are turning points in our human experience.”

    The best photography is a form of bearing witness, a way of bringing a single vision to the larger world.” And here we bring 21 of these powerful shots to you. For the rest of the list and detailed descriptions of the stories behind them head over to TIME website.

    More info: time.com (h/t)

    #1 The Terror Of War, Nick Ut, 1972

    South Vietnamese forces follow after terrified children, including 9-year-old Kim Phuc, center, as they run down Route 1 near Trang Bang after an aerial napalm attack on suspected Viet Cong hiding places, June 8, 1972. A South Vietnamese plane accidentally dropped its flaming napalm on South Vietnamese troops and civilians. The terrified girl had ripped off her burning clothes while fleeing. The children from left to right are: Phan Thanh Tam, younger brother of Kim Phuc, who lost an eye, Phan Thanh Phouc, youngest brother of Kim Phuc, Kim Phuc, and Kim's cousins Ho Van Bon, and Ho Thi Ting. Behind them are soldiers of the Vietnam Army 25th Division. (AP Photo/Nick Ut)

    Image source: Nick Ut

    #2 The Burning Monk, Malcolm Browne, 1963

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    Image source: Malcolm Browne

    #3 Starving Child And Vulture, Kevin Carter, 1993

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    Image source: Kevin Carter

    #4 Lunch Atop A Skyscraper, 1932

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    Image source: Unknown

    #5 Tank Man, Jeff Widener, 1989

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    Image source: Jeff Widener

    #6 Falling Man, Richard Drew, 2001

    SEVENTH IN A SERIES OF ELEVEN-- A person falls from the north tower of New York's World Trade Center Tuesday Sept. 11, 2001after terrorists crashed two hijacked airliners into the World Trade Center and brought down the twin 110-story towers. (AP Photo/Richard Drew)

    Image source: Richard Drew

    #7 Alan Kurdi, Nilüfer Demir, 2015

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    Image source: Nilüfer Demir

    #8 Earthrise, William Anders, NASA, 1968

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    Image source: William Anders

    #9 Mushroom Cloud Over Nagasaki, Lieutenant Charles Levy, 1945

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    Image source: Lieutenant Charles Levy

    #10 V-J Day In Times Square, Alfred Eisenstaedt, 1945

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    Image source: Alfred Eisenstaedt

    #11 Fire Escape Collapse, Stanley Forman, 1975

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    Image source: Stanley Forman

    #12 A Man On The Moon, Neil Armstrong, Nasa, 1969

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    Image source: Neil Armstrong

    #13 Pillars Of Creation, Nasa, 1995

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    Image source: NASA

    #14 Bloody Saturday, H.s. Wong, 1937

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    Image source: H.S. Wong

    #15 Jewish Boy Surrenders In Warsaw, 1943

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    Image source: Unknown

    #16 Albino Boy, Biafra, Don Mccullin, 1969

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    Image source: Don McCullin

    #17 Migrant Mother, Dorothea Lange, 1936

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    Image source: Dorothea Lange

    #18 The Hindenburg Disaster, Sam Shere, 1937

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    Image source: Sam Shere

    #19 Dalí Atomicus, Philippe Halsman, 1948

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    Image source: Philippe Halsman

    #20 Guerillero Heroico, Alberto Korda, 1960

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    Image source: Alberto Korda

    #21 Oscars Selfie, Bradley Cooper, 2014

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    Image source: Bradley Cooper

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  • 15 Reflections That Mess With Your Head

    15 Reflections That Mess With Your Head

    To twist and warp images digitally is one thing, but to do it in real life you’ll need quite a bit of ingenuity. One way to do so is using the reflections around the subjects. From water to polished metal, anything reflective can turn your photos into otherworldly images.

    The guys at Bored Panda have compiled a list of these amazing optical illusions achieved through the clever use of reflections. And we’re simply dying to see what you’ll come up with after seeing these. And as always, make sure you share it with the world in the comments below!

    #1 Reflection Creates A Moon

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    Image source: Diego

    #2 I Took This Photo Of A Reflection In A Puddle And The Gravel Looks Like A Starry Night Sky

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    Image source: LucyDreads

    #3 The Reflections On These Pots Lined Up Just Right

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    Image source: Pinyaka

    #4 Hyde Park Is Perfect In Fall

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    Image source: gabriele corno

    #5 Perfect Tree Reflection

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    Image source: GallowBoob

    #6 To See Flower In Water Drop

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    Image source: Miki Asai

    #7 Every Time I Think That This Building Is Burning, But It Is A Reflection Of The Sunset

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    Image source: acmedoge

    #8 Prague In A Wine Glass

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    Image source: imgur

    #9 The Reflection Of An Identical Car From Window Perfectly Matches

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    Image source: reddit

    #10 The Tapestry Above My Bed Made A Pretty Sweet Reflection In My Coffee This Morning

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    Image source: deathbypolkadots

    #11 Walking On Clouds

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    Image source: Carlos M. Almagro

    #12 Did My Friend Piss His Pants? Nope, It’s Just The Reflection Of The Chairs In The Room

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    Image source: CptSandbag73

    #13 When Will My Reflection Show Who I Am Inside

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    Image source: IDidNotGetTheReference

    #14 The Reflection Makes This Chimpanzee Look Like He Is Wearing Her Dress

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    Image source: iamrv

    #15 Perfect Reflection

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    Image source: ninja_cats

    Check out how optical illusions can help out in something as serious as road safety.

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  • A Visit To Artist Kustaa Saksi

    A Visit To Artist Kustaa Saksi

    Working in various mediums and techniques, Finnish artist Kustaa Saksi perpetually puts his abstract perspective on natural formations, astounding the viewer with intricate and often psychedelic creations.

    In Spring 2017, for the third time Mumm will release the new limited edition of Art Bottles. This time, the German sparkling wine producer invited Kustaa Saksi to design the bottles for three different flavors Dry, Rosé dry & Extra Dry. We had a chance to talk to Saksi about his techniques, inspirations and the interpretation of the Mumm Art Edition.

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    You’re a multidisciplinary artist. Which medium is your favorite one and why?

    I’m a hybrid. I like to mix and match different mediums, techniques and materials. I’m specialized in graphic storytelling through pattern design, textile art and installation.

    “However, at the moment I’m most inspired by textiles and their tactile and three dimensional nature.”

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    Could you tell more about the role of craftsmanship in your work?

    For my tapestries and woven artworks I mainly use Jacquard weaving technique. I’m interested in combining traditional craftsmanship with digital possibilities. For example, I blend natural fibers like mohair, alpaca and wool with rubber, acrylic, lurex and phosphorescent yarn.

    Your artworks are highly influenced by nature. Are there any specific landscapes or biological organisms that drive your imagination? Do you draw inspiration from personal experience, too?

    I’m interested in nature’s various structures: repetitive forms, patterns and ornamentation. I keep my eyes open everywhere I go – whether I’m strolling on the streets or wandering in forests. In the end, you always notice something spectacular nature has been sculpting.

    What does abstraction mean to you?

    The ideas of nature seen from the abstracted edge of perception characterize almost all of my work. I filter things I see to my own abstract, surreal world.

    You come from Finland, but moved to live and work in Amsterdam. How would you describe the creative scene there?

    I’ve been living in Amsterdam for almost nine years now and every now and then, the city still manages to surprise. It’s a very compact international village with a lot of things happening in the design scene. Also, it’s very conveniently located in the heart of Europe with a great airport hub that connects the world to itself.

    One of your latest project was the Mumm Art Bottle. Could you tell us more about this collaboration?

    I was asked to create three bottle designs for Mumm’s Artist Series for 2017. I felt delighted as I knew Mumm provided premium-quality products. I used to work on patterns and designs for brands before, but I have never designed a bottle, so this new challenge felt exciting to me. When collaborating on the projects like this, however, I always dedicate myself to my own artwork.

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    Could you walk us through the creative process standing behind this project?

    As a Nordic designer, I tend to use shapes taken from nature as a starting point for my projects. I take inspiration from nature’s ornamentation and mathematical chaos, running deep into the shape and trying to understand its essence. Then, I simplify and convert it into my very own visual world. For Mumm, I studied the shapes of grapes and bubbles, which form extraordinary, rhythmic patterns, wrap around each other and are always moving. I created a continuous pattern for each flavor to tell the individual character of each wine. The colors give an idea of what to expect, weather it’s Dry, Extra Dry or Rosé. This is how I understand and see the abstraction of the flavor.

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    –In collaboration with Mumm
    All images © Stefan Haehnel, created exclusively for iGNANT.

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  • Photographer Fights Trump’s Islamophobia With Beautiful Portraits Of American Muslims

    Photographer Fights Trump’s Islamophobia With Beautiful Portraits Of American Muslims

    Islamophobia has already been planted deep in many minds across the world, and Donald Trump’s remarks during this election about Muslim people haven’t helped at all. So photographer Mark Bennington took it upon himself, to show the incredible diversity of Muslim Americans in hopes to stop putting nasty labels on millions of people.

    Mark is doing it with a portrait series called “America 2.0”, in which he features young Muslim adults in New York City alongside with stories from their daily lives, featuring the common topics like school, friends, dating, music and so on.

    Now more than ever, we, as the American public, are faced with images and propaganda of ‘the other’ – be it Muslims, Mexican immigrants, the African-American community, the LGBTQ community, the list goes on,” Bennington told the Huffington Post. “I found this to be a crucial time to start a project that focused on the every day – what do ordinary lives and aspirations look like?

    More info: mark bennington (h/t: huffpost)

    Hanan

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    Hanan, 24, NYU Dental student: “I always tell everybody, there’s not just two parties [so] why don’t you break the system a little bit? … Sometimes I’m surprised at people, at who they’re voting for but I don’t push my views on anyone else.

    Mosammet

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    Mosammet, 17, Brooklyn Tech High School: “We are a nation of immigrants. I do not accept someone who calls my fellow brothers and sisters of color ‘murderers and thieves’. I do not accept someone who utilizes fear mongering to turn half the country against the rest. I will not stand my mother or my sisters being forced to remove their hijab and I will not stand my father and brother being called ‘terrorists’. I LOVE LIFE, but as an American citizen, I have never been so disappointed in America.

    Jiniya

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    Jiniya, 20, student of advertising and psychology at The City College of New York: “I can’t understand why we are always portrayed as either the good or the bad, the moderate or the extremists. Why can’t I be normal? Why do I have to be labeled as Muslim?… Why is my headscarf the first thing that you recognize about me? Why can’t we just be people?…

    Hagar

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    Hagar, 22, Health & Science major at New Jersey City University: “I think it’s important to vote, but our options this year are … we didn’t have much choice! I’d have preferred not to vote but I don’t think that’s a better option either. I wanted Bernie, he just seemed kind of down to earth unlike the other two.

    Makinoon

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    Makinoon, 17, Student at Brooklyn Tech High School: “Sometimes, you kind of feel scared with all this Islamophobia going on. Like, what if my friends, not close friends, but acquaintances turn their back on me just because I’m a Muslim? There was a time when I actually thought about not following my faith because of social pressure. But, I identify as Muslim and want to show that Islam is a beautiful religion.

    Rayan

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    Rayan, 23, student at New Jersey City University: “We went to an Islamic school here in Jersey City. We learned Arabic, we had Islamic studies, and then we had regular classes. We would always try to go against the uniform. Try to wear different shoes, anything to get us into trouble, basically- like any other rebellious teenager.

    Hany

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    Hany, 27, General Manager at Cairo Dental in Queens: “To be honest, I was for Trump. I’m excited about him. I love his passion to change the country, because it needs a lot of changing. But I must say that the initial step has to come from us. Us, the Americans in all shapes and sizes and all colors and religious beliefs. [They] must unite. This is the real American dream that my parents had came here for.

    Anika

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    Anika, 21, student in International Business/Finance, Accounting, Economics & Fashion, works at Marymount Manhattan college as a SAT coordinator: “If you fit in that realm of thinking in terms of whatever has been ordained for the religion – whether it’s praying 5 times or believing in one God, if you can except those two things, then yeah, you can consider yourself religious. But, in terms of truly believing your existence, that would be another question to ask.

    Shahid & Hanzalah

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    Shahid & Hanzalah, 18 & 20, College students (Information Security & Android Development): “So, we met initially back in Brooklyn Tech High School. … Shahid is the kind of guy I’ll message at 2 am with some strange insomnia induced epiphany and he’ll take two seconds to tell me the massively obvious hole in my logic and tell me to go to sleep. I’m amazed that we’ve known each other for so many years because in many ways it still feels like we only recently met – there’s a timelessness to it and honestly, it feels more like family.

    Syeda

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    Syeda, 21, Math & Physics major at Hunter College: “I’d love to teach. It’s been my dream for the past couple of years to open a school actually, for [young] kids. I think the older we get the more we question things, the more we need rationales to explain things. But as kids, we’re willing to just take things and run with it and let our imaginations play.

    Abdelrazeq

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    Abdelrazaq, 25, NYU Dental student: “The Muslim community, like any minority community, should show up and vote, not in the hopes of determining the winner, but to show our presence. We are part of this country, part of this community – a large part – and voting is a way for us to show those who run for governmental positions that ‘Hey, we are here.’

    Ariba

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    Ariba, 24, applying for Masters in Public Health: “I remember the first time it happened… I was super new to the subway – commuting to Hunter College in the city. And I saw this old man, who looked so sweet, and he said, ‘Can I sit next to you?’ And I said ‘Sure’. He said, ‘Can ask your question?’ I said ‘Yes.’ He said, ‘Who invited you?’… I didn’t understand. I was so shocked. And then I didn’t or couldn’t say anything! It bugged me for months and months. Why didn’t I say anything?

    Jannah

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    Jannah, 19, student at Hunter Community College: “I did wear a hijab a long time ago when I was little, but people would tell me to take it off because I was too young (pre-puberty). Now I’ve just have gotten used to not wearing it. But, I still try to dress as modest as I can… In my house, of course, I wear whatever I want.

    Sara

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    Sara, 17, Student at Brooklyn Technical High School: “I never imagined so many people would vote for Trump, especially with the way he has targeted so many minorities. Being a Muslim it sort of gets me thinking about what it’s going to be like in the future. He makes violence ‘okay’… so should I walk out of my house in fear of being attacked for being openly Muslim (wearing my hijab)?

    Mohammed

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    Mohammed, 22, Environmental engineering major at City College of New York: “I’m trying to push myself into doing things that I’m not really comfortable with- like getting my photo taken!… I’m not really a social person, but I’m pushing myself to get involved socially.

    Sadaf

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    Sadaf, 17, Pre-med student at Hunter College student, Author and Co-founder/CEO of Media company REV 21: “When you are deprived of a chance to share your voice, you have to yell louder. And not just yell louder for yourself but for the several others who feel the same sentiments as you do… Unfortunately, regardless of America’s promise of equality, several groups of people feel cheated for their chance of achieving the American dream–of their chance to simply survive in America.

    Najwa

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    Najwa, 16, Miraj Islamic High School: “My all time favorite subject is science! Learning about the different elements that make us think or act in certain ways fascinate me, that’s the main reason why I want to study medicine once I graduate.

    There are quite a few beautiful traditions among Muslim people, for example, the Hijab wedding dresses.

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  • Unique Beauty Of Albino People

    Unique Beauty Of Albino People

    With so much happening around it’s really hard to create something that stands out. But all it took was a glimpse at the photos by Yulia Taits to get us captivated. We’re talking about her beautiful photo series of Albino people, who she portrays like otherworldly fairytale characters. Naturally, we couldn’t help ourselves, but to dig deeper to find more of this unique beauty.

    Albinism is a rare condition which results in the absence of pigment in hair, eyes, and skin. But it’s not only the appearance, as the Albinos often suffer from vision problems and sometimes even blindness. All of which makes for a straight path to isolation, making the works of artists like Yulia even more important. Because through these photos, the artists not only show the beauty of different people to its spectators, but also to the subjects themselves.

    (h/t: boredpanda)

    #1 Ava Clarke

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    Image source: theavaclarkedotcom

    #2 Elora

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    Image source: Sylvia Eng

    #3 Contrast

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    Image source: Garth Clark

    #4 Sahar

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    Image source: Yulia Taits

    #5 Curiosity

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    Image source: Ana Yturralde

    #6 Shimon

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    Image source: Yulia Taits

    #7 Diandra Forrest

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    Image source: diandraforrest.com

    #8 Sahar

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    Image source: Yulia Taits

    #9 Zohar

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    Image source: Yulia Taits

    #10 Albino Boy

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    Image source: Angelina d’Auguste

    #11 Sanele Junior Xaba

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    Image source: Justin Dingwall

    #12 Albino Boy

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    Image source: Sanne De Wilde

    #13 Thando Hopa

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    Image source: Justin Dingwall

    #14 Albino Girl

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    Image source: Angelina d’Auguste

    #15 Abdel

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    Image source: Eric Nehr

    Check the photos by Yulia Taits, who inspired this list.

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  • Photographer Captures The Hypnotizing Beauty Of Albino People

    Photographer Captures The Hypnotizing Beauty Of Albino People

    For some time I (Yulia Taits) have had the idea to create and photograph a project (“Porcelain Beauty”) featuring albino people or people with Albinism. Their unique beauty hypnotizes me. This beauty is so pure and amazing for me, as if it was taken from fantasies and fairy tale legends.

    As a Photoshop artist, I have a passion to create fantasy worlds through my work and artistry. This series was an amazing experience for me because I could create this beautiful photography without Photoshop. What transpired was pure natural beauty.

    All of the photographs were taken in white tones with no additional coloring. I’m excited to prove that white is not just one color! It has many tints, shades and beautiful tones.

    While creating this photo project, I was fortunately blessed with meeting amazing people. I was highly motivated by the support of the models and parents to create this project. Their passion and encouragement attributes to this amazing project. I am very proud of the results this experience has brought.

    More info: yuliataitsphoto.com (h/t: boredpanda)

    Zohar

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    Sahar

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    Eliran

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    Sahar

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    Russell

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    Ori

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    Shimon

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    Michal

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    Caesar

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    Adi

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    Eydan

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    Here‘s another cool portrait series that captures the beauty of albino people.

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  • On Making Spaces Matter with MeierHug Architects

    On Making Spaces Matter with MeierHug Architects

    Together with Zürich Tourismus, we were recently lucky enough to meet Michael Meier and Marius Hug of the renowned Swiss architecture practice MeierHug. From their freshly renovated offices in an old pastry factory to a two-family apartment building constructed with minimal plans, we got inside their heads and in turn, they quickly won over our hearts.

    Over coffee and under the eaves of the light, airy office extension that houses their studio, the duo shared their thoughts on trusting your gut instinct and making it up as you go along. They got our hearts pumping a little harder with their considered yet warm approach, their frank approach to partnership, and their shared progressive vision.

    You grounded your studio in 2001. How did you come to work together?

    Michael: We got to know each other at Miller & Maranta in Basel whilst working on the same project. There we also got to know another architect from Davos, who asked us if we wanted to work on a project for him. We thought it’d be super interesting and said to ourselves, ‘Why not do the project in Zürich instead of Davos?’ This allowed us to have the opportunity to rent a small studio – in Kreis 3 on Werterstrasse. That’s where the project was born. It involved a study on the preservation of sites of historical importance. It went on for a long time, and was only completed five years ago: So a total of 10 years. Well, we found ourselves with a bit of extra capacity in the meantime, so we spent our spare time working as lifeguards over summer: Mornings at the pool at Badi Enge Lake, then we’d head back to the office to continue working on the project. At some point we started taking part in competitions. So our joint career started unfolding pretty slowly and sweetly, which was great because it gave us the time to get to know each other.

    How would you describe the philosophy behind your practice?

    “The competition culture is very well established here. Each week we can put ourselves forward for an exciting new project.”Marius: We haven’t formulated one particular philosophy to follow, but we’re less interested in loud architecture, and we work largely based on instinct. There are certain things that speak to us. We also have mutual control over out work – so sometimes one of us will say, ‘Hey, this isn’t working’. We’re also very locally grounded. We try to draw upon our experience of the environment that surrounds us, which isn’t very big. Something that perhaps defines our direction is that we want to work with the widest possible range of projects. We’re often interested in smaller conversions that require historical preservation – but we also like working on larger projects. Bridges are of interest to us, but we’re equally happy creating a small outhouse. Switzerland is a great place for this variety. The competition culture is very well established here. Each week we can put ourselves forward for an exciting new project. Initially we focussed on the field of elderly care – so retirement homes, as there were fewer competitors in this field and so of course higher chances of winning. Our first big project was actually a retirement home.

    We’re sitting here in your newly renovated office. Can you share a bit about the renovation, and in particular the extension?

    “The building was originally a factory that prepared ingredients for pastries – it was called the ‘edible fat factory’.”

    Marius: The building was originally a factory that prepared ingredients for pastries – it was called the ‘edible fat factory’. Sugar, fats, glazes, butter and Switzerland’s first nougat were prepared here. We were originally tenants in the floor underneath the one we’re now on. Two years ago there was a fire in the cellar of the factory. The smoke filtered through to our floor so we had to get out while the whole place was cleaned for three months. The silver lining of this incident was that we got to know the owner of the building. He has deep roots here, as one of the grandchildren of the company’s founders. The owners already had renovation plans, and we said we’d love to stay in the building, but needed more space. Michael then sent him a sketch of the roof extension, which he found to be a very strong idea.

    He liked the fact that our proposal wasn’t about remodelling the space by packing on more insulation and then sticking a window on top – instead, we wanted to preserve the original character of the space. This was also clever as the roof needed renovating in any case as it was leaking, so we were able to pitch our renovation and expansion within the budget that was already going to be spent on fixing the roof. That was of course ideal for the owner, as it gave him both a fresh renovation and also additional space to rent. For us it was equally satisfying – we know we can stay here for the next 20 years, and even make the office space a little smaller if we have to.

    Do you always work together on projects?

    Marius: Yes, we have a strong starting point. A competition runs for 8-12 weeks, and in the initial phase, we go through everything together. At this point we engage in a lively exchange where lots of sparks occur. After this phase, we split up. Because building owners usually want someone to attend every meeting, we divide the work between us, but always consult each other in between. It’s really important to both of us that we each have a sense of what’s happening. Of course we don’t know every single detail of every project. But we still have the feeling that we’re a tight team.

    What do you do when you’re not on the same page about a project?

    “If someone says, ‘That looks like it’s always been there’, that gives us the feeling that we’re doing OK.” Marius: That’s rarely the case. But of course it’s not so great when it is. I have the feeling that we have very similar approaches and if something bothers one of us, the other one will try to reconsider their position, and this usually works really well. I can’t think of a single situation where we both decided we couldn’t move forward. Of course there are challenging confrontations – it’s like a relationship, right? I think we both give each other the freedom to say, ‘Well, I would have done it a little differently…’ but it’s perfectly fine that way.

    Michael: It’s absolutely not a charged process – taking the example of Haus Albisrieden, of course at the end we’d both have done a few things differently looking back, as we’re in a different headspace to when we were all in it. That’s also apparent with the teams we have – we don’t always lay out the entire plan for them. We like to let projects evolve naturally. Not everything has to be fixed from the beginning.

    Marius: We don’t always know exactly what the best solution will be when we begin. As we start to work, we let ourselves make decisions as we go: Is it round? Square? Thin? And then we run with our decision and at some point we decide on a certain path and apply that choice. Sometimes this works better than other times, but every project becomes a memorable one for us and will contribute somehow to a future project. We have certain approaches and directions that interest us, but no set way of working that we can easily describe.

    Michael: So often it comes down to our gut instinct. There’s no theoretical guidebook that dictates our work process and says ‘This is the only possible way in which it can evolve’.

    Marius: The kind of architecture we’re involved in isn’t so existentially reflective, so we can approach it in a relaxed way. There’s not one truth we’re searching for. Of course the designs should look beautiful and be relatively timeless, so that they don’t appear dated 15 years later. Instead, they should add value to the place. That’s what we aim for. If someone says about our work, ‘Ah, that looks like it’s always been there’, that gives us the feeling that we’re doing OK.

    Can you fill us in on your ‘Haus Albisrieden’ project?

    “The kind of solutions we needed to find required the work of a psychiatrist!”

    Michael: I grew up in Albisrieden and went for a walk there one day. I passed by an empty lot that piqued my interest. Three to four months later, the plot was on sale online for an absurdly high price. It took half a year of negotiations before I bought the properly. The difficulty was that Albisrieden is not in the most noble part of Zürich, so you need to build a lot relative to the plot size to make it worthwhile. As a single family home was out of question for this bit of land, we thought a two-family home would work better – to offer either as a rental or for sale. We then had one year to obtain approval – only then could we complete the purchase of the land. In the past it could be bought with one payment outright. We had to fight it out along with two or three other competitors.

    Marius: It was a very long plot, but we could only build on one part of it. There was a constant back-and-forth regarding maximum building height, because the plot was in a two-story residential zone. This project was not a typical task of our office – rather exceptional. The kind of solutions we needed to find required the work of a psychiatrist, rather than that of an architect!

    Michael: The project also went in a bit of a different direction than we first expected. We simply began without a clear timetable or construction plan. But it was always clear that there should be a concrete building, around 60% below the earth. It was a little dangerous, as we went ahead without the plans even being complete. But that also made it a really exciting process, as there was a lot of freedom from the construction managers. That was fine for us as it was our creation – otherwise it would have been impossible, really!

    Is there a dream project you’d like to work on one day?

    “A convent would be amazing [to work on]. Or the new Berlin airport.”Michael: A convent would be amazing [laughs]. Or the new Berlin airport [laughs again]. There is a museum in St Gallen. It’s a very particular task, as the space has a different function for the public. We hope that we might be able to deal with something similar abroad one day. We’re not often invited to participate in competitions in Germany, even if plans for museums are already underway. We have great respect for the German market, but we’ve heard from colleagues that it can be super challenging to work in, due to all the regulations. We wouldn’t say no to a more ‘exotic’ project either – say, in Brazil. The location – and perhaps also the construction process – has to interest us. It can either grind you down or propel you in an exciting new direction. We’ve been lucky in that respect – we haven’t yet encountered an experience that made us think, ‘Oh no, now we have to compromise to keep the office going’.

    Here’s a selection of projects from MeierHug Architecs:

    In collaboration with Zürich Tourismus
    All images © Clemens Poloczek. Interview by Yasmin Yazdani, translation by Anna Dorothea Ker.

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