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Thomas McAvoy/The Lifetime Picture Collection © Meredith Company
In 1959 Dallas photographer William Langley had a problem: he desired a lengthy-haired product for a shoot—the woman’s hair essential to blow in the breeze. But no nearby company had a model who could do the position. Their hair was all way too small.
Thomas McAvoy/The Lifetime Image Assortment © Meredith Company
But then the Dallas Early morning-Herald ran a story on Langley’s situation—a story which referred to as extensive hair “as out of date as a raccoon coat.” So what happened? Standard ladies with extensive locks swarmed Langley’s studio, all all set to let their hair down.
Thomas McAvoy/The Lifetime Picture Assortment © Meredith Company
Lifestyle photographer Thomas McAvoy dropped in to Langley’s studio to document the festivities for a story in LIFE’s June 15, 1959 concern titled “Baldy and the Lengthy Hairs.” The headline conveys the normal tenor of the protection.
Thomas McAvoy/The Existence Picture Selection © Meredith Corporation
“Amid the great cascade of handsome hair falling down the backs of 30 eye-catching younger girls, a lone and barren bald spot shone out,” Lifestyle wrote. “The owner of the bald place, Dallas Photographer William Langley, was happily encompassing himself with a female commodity he had a short while ago despaired of ever discovering.”
Thomas McAvoy/The Everyday living Image Selection © Meredith Company
In the 1950s woman natural beauty icons experienced limited-to-medium duration hair, as befitting a neater and far more contained era. Imagine about Audrey Hepburn and Marilyn Monroe, and specifically Doris Day, whose “helmted” appear was influential, and just about anything but unruly.
Thomas McAvoy/The Life Photograph Collection © Meredith Corporation
Then almost everything improved in the 1960s, as hippies permit their freak flags fly and societal norms were being turned on their heads, so to communicate. The phrase “long hairs” that appeared jokingly in the 1959 Lifetime headline would come to be synonymous with the counterculture of the 1960s. In limited, Langley’s challenge was pretty significantly of its day. In 1969 the photographer would have experienced a significantly easier time finding a product whose hair was meant to be blowin’ in the wind.
Thomas McAvoy/The Life Image Selection © Meredith Corporation
Thomas McAvoy/The Lifestyle Photo Assortment © Meredith Corporation
Thomas McAvoy/The Everyday living Photo Selection © Meredith Company
Thomas McAvoy/The Lifestyle Photograph Selection © Meredith Corporation
Thomas McAvoy/The Lifetime Picture Collection © Meredith Company
Thomas McAvoy/The Daily life Photograph Assortment © Meredith Company
Thomas McAvoy/The Existence Picture Selection © Meredith Corporation
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