Category: Photography

Chinese artist Zhao Kai makes incredibly lifelike animal sculptures by fusing modern day artistry with conventional realism.

The toughness of bronze is the explanation he selected it as his primary medium. Zhao also works by using enamel painting methods to give his creations the ultimate touches and a lively physical appearance. It is genuinely amazing how very well he can portray the essence of each animal, from the majestic bull to the sleek leopard.

“Colour and texture are the two critical features in his operate. He makes use of the high-quality and easy type to develop a sense of peace and distant realm to direct viewers away from the earth of impetuousness and shallowness.”

Much more: Behance

The typical cosmic do-it-oneself job, Noah’s Ark, is possibly effectively known to all of you. In it, God tells Noah to “build a giant ark, get two of every animal, and let’s transform this earth into a big water park.” But what if this tale associated a frequent guy who was acquiring economical difficulties right now?

h/t: sadnaduseless

The bizarre, warped picture collages of various well-known and lesser-known individuals by Houston artist Phillip Kremer may disturb you, but you also may find it impossible to look away.

Because of the strange things he creates, Instagram has even threatened to ban him in the future. “I can’t find the policy that I’m breaking to adhere to,” he said, expressing his own inability to follow their policies. He’s doing this, but why? According to Phillip Kremer, he just wants to do something to make the faces of the ordinary people around him more interesting to look at.

More: Instagram

German-British painter Frank Auerbach regularly sketched his sitters for this collection of large-scale charcoal portraits established among 1956 and 1962, erasing the image following each and every session till only a ghostly outline remained.

Until he assumed he had captured the essence of the subject, he would repeat the method often, the paper would tear. For an exhibition, curator Barnaby Wright has assembled the portraits for the 1st time.

“What is so fascinating about the drawings is how Auerbach could elicit such intricate responses with just a piece of charcoal and a stick of chalk,” Wright suggests. “Because we are surrounded by so a lot of superficial depictions of folks, these drawings supply us with a richer substitute that is the two exceptionally human and vibrant.”

h/t: guardian

South Korean artist Jinsung Lim primarily uses Procreate to craft highly realistic and emotionally rich portraits.

His remarkable collection often includes well-known figures like Cillian Murphy, Amanda Seyfried, Robert De Niro, and Tom Holland. These portraits are so meticulously detailed and lifelike that they can easily be mistaken for actual photographs. Lim’s work not only captures the physical likeness but also infuses an emotional depth into each piece, portraying a range of expressions from introspection to joy, thus weaving a personal story into each image.

On his YouTube channel, Jinsung Lim demonstrates a thorough and intricate approach to his art. His process typically begins with a basic sketch, which he gradually enhances with multiple layers of color and texture, culminating in a striking, photorealistic depiction.

More: Behance, Instagram, Youtube

Artists Anna Pilipyuk and Vladimir Shipotilnikov recalled how the Tv was a source of pleasure in the Soviet Union for their undertaking “My Initial Television.” They collected images of persons among Environment War II and Perestroika having pics with their tv sets.

h/t: vintag.es

The united states saw the introduction of televisions in the late 1920s. With no constructed-in loudspeaker, the 1st mechanical television was introduced in the Soviet Union in 1932 and necessary a radio link to operate.

Following the WW2, mass output of televisions was began in the USSR and distribution adopted. With an common income of 600–800 rubles, 61% of city people owned a Tv by 1970, despite the point that the device price 900–1200 rubles.

Maisie Matilda, a 24-year-outdated Uk artist, has gained acclaim for reviving the scarce artwork of e-book fore-edge portray.

She commenced discovering this strategy in the course of the COVID-19 lockdown, getting viral fame in late 2021 by way of her TikTok films, significantly a person showcasing a J.R.R. Tolkien book. With more than half a million Instagram followers, Maisie has brought focus to this critically endangered craft, relationship back to the 10th century but evolving into an art type in the 18th century. Combining her appreciate for Tolkien’s will work and intricate painting, Maisie’s method includes deciding on a ebook, planning it, and then delicately portray on the fore-edge utilizing good brushes. She prides herself on her velocity and consideration to element in her function.

Much more: Etsy h/t: odditycentral

In the early days of the process, a friend brought them three cuttings of Indigo. “We kind of forgot about them,” laughs Purpa. “One day, we came to check it and suddenly, it had grown. We had an expert come and check, and when they validated it, were like, “OK, we’re going to do this now.” While the heavy rainfall in the area suited the Assam indigo plant perfectly, it lacked uninterrupted shade to grow. At the time, Mesdag and Purpa were making and selling naturally dyed T-shirts. They poured the profits of each T-shirt into planting a native tree, from unfurling ferns to Bodhi trees to a bonsai that would evolve into a Banyan. 

By the time their house was finished, seven years later, a forest had sprung up to create an ideal ecosystem for their indigo plantation to thrive. Thanks to the site’s natural irrigation system of waterfalls flowing into a duo of dovetailing streams, the forest was fully self-sustaining, needing no extra irrigation or intervention beyond the plant’s harvest. “The beautiful thing about Bali is that when you plant a tree, you know that in 20 years, it’ll be about this big,” says Mesdag. “You can create your dream in this lifetime.”
 
That dream is now shared through TianTaru’s workshops, which are highly personal, hands-on, and primarily an exercise in patience. Uncompromising in their refusal to cut corners, Mesdag and Purpa understand that indigo dyeing is a process that can’t be rushed. As individuals or in groups of two, guests are invited to experience its rhythms for themselves by following the entire indigo lifecycle.  
“We start off with the harvest, then we teach our guests how to extract the dye and make the Indigo paste. Then we teach them how to make an indigo vat using only sugar and limestone. So we give them the recipe, then we give them a cloth to dye,” explains Mesdag. They’re also invited to bring a personal item to dye too, in an opportunity to give a new life to an old garment. “We teach them how to do the finishing, and we give them a plant.”

Over the course of two or more days, guests become part of the family, sharing meals prepared from fresh herbs and coconuts harvested from the garden. At night, they sleep on a futon in the open-air guest house that doubles as a yoga studio and a sorting room for freshly harvested indigo leaves. As custodians of a fading art form, transparency is central to TianTaru’s philosophy. “We share all the information we have; we don’t keep anything to ourselves. Our idea is that people can go home and they can create their own studio,” says Mesdag. “Previously, indigo was a secret. No-one would share their recipe, because it’s your trade, and if you show the neighbor, then you lose your custom. Now, we’re getting to the point where we need to share information. Though even if I give you all my information, it’s not going to be the same. Maybe your earth is different. Depending on where you are, the climate—everything—will change your vat.”

Times Square, 1958, found Kodachrome transparency, photographer unknown.

Jan Wein discovered certain pictures one day. “In case you are unaware of the background, I used to live in Manhattan during Ed Koch’s mayoralty in the 1980s.

However, I later moved to Pittsburgh, Pennsylvania, and I’m still there.During that period, trash day offered a lot of abandoned treasures. I came upon a collection of Kodachrome slides featuring 1950s photos of New York City one day. It is unknown who took the photos because the slides are not labeled,” he told Flashbak.

Jan has spent a lot of time sharing a few of the numerous highlights from the collections.

h/t: flashbak

First Street and First Avenue

Al’s Bar – March 27, 1954 – location unknown. Found image, photographer unknown.

36th Street and 7th Avenue

Financial District and Ferry St being the cross street, view south on Cliff St 1967.

Sullivan Street celebrating the Festival of St Anthony.

Loews Movie Theater, 72nd Street, 1960. Kodachrome transparency rescued in 1980s – photographer unknown.

Fifth Avenue at 44th Street – found Kodachrome transparency, date unknown, photographer unknown.

Modern Art. Guggenheim Museum soon after it opened – 1960. Kodachrome transparency found in the trash in the 1980s. Photographer unknown.

Midtown at 5-00 PM. Early 1980s. Photo – Jan Wein.

Another river view. USS Stockham, Navy Destroyer. Year unknown. Original photographer unknown.

Schmattes – W 36th Street, Found Kodachrome Transparency, photographer unknown, date unknown.

Sunday painter of a plein air composition of the pond in in Central Park. Found Kodachrome, photographer unknown, date likely the 1950s.

Riverview of Manhattan, found Kodachrome transparency, photographer unknown, date unknown.

The Lehigh Salvage Co. Salvaged slide, photographer unknown, location unknown.

Winter – Murphy Memorial Flagpole, Union Place, found Kodachrome transparency, photographer unknown, date unknown, likely mid to late 1950s.

New York World Telegram – found Kodachrome transparency, date unknown, location unknown, photographer unknown.

Fifth Avenue – Midtown. Date unknown, found Kodachrome transparency, photographer unknown.

Ice Skating at 30 Rockefeller Center, Hanan Linen Shop in background – circa 1958, found Kodachrome transparency, photographer unknown.

Rockefeller Center – circa 1958, Found Kodachrome transparency, photographer unknown.

Rockefeller Center – Fifth Avenue at 50th Street circa 1958 – found Kodachrome transparency, photographer unknown.

Construction site of Canada House at 680 Fifth Avenue, 1956. Found Kodachrome transparency, photographer unknown.

Coming Here! New York Savings Bank. 1958. Location unknown. Kodachrome transparency, photographer unknown.

Under the Manhattan Bridge – date unknown, photographer unknown, found Kodachrome transparency.

Cobblestone. Location- you tell me. Year- leave this to the car guys. Photographer- unknown.

Winter in NYC 1961. Found Kodachrome slide. Photographer unknown.

Out with old, in with new. Location unknown, year unknown, photographer unknown.

One of many transparencies found in the trash in Manhattan in the early 1980s. Photographer unknown.

Engine House 31 at Lafayette Street 1961 – still there apparently. Kodachrome transparency. Photographer unknown.

The Great White Way.

118 Orchard Street in the Lower East Side

Marco Segovia, an artist based in Barcelona, is increasing the imaginative horizons with his “Adaptable” collection. These distorted automobiles in this collection of digital artworks are adaptable and contorted so they blend in properly with their surroundings.

“In the sway of development, occurs a charming job, the place wheels dance to the rhythm of character, a sincere pact with the environment is woven, by means of means of transportation that change in their essence.”

Far more: Instagram, Behance h/t: theinspirationgrid