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German-British painter Frank Auerbach regularly sketched his sitters for this collection of large-scale charcoal portraits established among 1956 and 1962, erasing the image following each and every session till only a ghostly outline remained.
Until he assumed he had captured the essence of the subject, he would repeat the method often, the paper would tear. For an exhibition, curator Barnaby Wright has assembled the portraits for the 1st time.
“What is so fascinating about the drawings is how Auerbach could elicit such intricate responses with just a piece of charcoal and a stick of chalk,” Wright suggests. “Because we are surrounded by so a lot of superficial depictions of folks, these drawings supply us with a richer substitute that is the two exceptionally human and vibrant.”
h/t: guardian
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