Category: Photography

  • Francesco Ciccolella’s Playful Illustrations

    Australian illustrator with Italian roots, Francesco Ciccolella’s work does not limit to just one genre – he likes to think of it as telling different stories in a poetic and compelling way.

    “Everything I do starts with a pencil drawing. I consider this first part of my process a way of thinking with my hands.”
    Based in Vienna, Ciccolella conceptual creations are playful and burst with ideas and visual metaphors. Working for both editorial and commercial clients, the illustrator doesn’t narrow down his profession to a certain genre. Instead, he likes to apply the way of thinking and solving problems to various projects. Having worked for the likes of The Guardian, Wired, Monocle and IBM, Ciccolella has also spent some time in New York experimenting on his personal work at Pencil Factory in Greenpoint, Brooklyn.

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  • The New Age Pharmacy By KTX ArchiLAB

    Hypo, Japan is now home to a neoteric “retail pharmacy” doing its purpose of providing advanced pharmaceuticals to heal those in need.

    While studio KTX archiLAB was drafting the design they wanted for visitors to be at peace, which influenced the sterile glass façade and transparent-themed waiting areas. A pure white eased-over the interior and exterior adding to its minimal cube-like building structure. What makes visitors keep tranquil is the conception of getting an innovative and leading edge service that puts health first.

    All images © KTX archiLAB

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  • ‘Project Y’ By Thierry Du Bois

    A series of surreal photographs of structures and textures, ‘Project Y’ by Thierry du Bois is based on similarities and shows a universal shape of resemblance.

    “Despite differences in identity, material, and color, the same shape occurs systematically as an obsession.”
    Varied in their structure, all du Bois’s photographs have one thing in common – a simple shape of the letter ‘Y’, embodied in their subject. Sometimes it’s only slightly suggested, sometimes fully visible. Belgian photographer wants to create disorientation between what’s living and artificial. “Our environment is composed of opposing elements and despite differences in identity, material, and color, the same shape occurs systematically as an obsession,” he says. Initiating the reflection on material processing system, the series also carries a profound message about the overproduction in a contemporary world. As history shows, man constantly produces artificial materials, directly affecting Earth’s development. ‘Will Mother Nature have the time to alter human overproduction?’ du Bois asks in his project.

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  • Masseria Moroseta · Ostuni, Italy

    Designed by Andrew Trotter, the founder of Openhouse Magazine between Barcelona and Puglia, ‘Masseria Moroseta‘ is a summer shelter we dreamed about – surrounded by gorgeous landscape, it offers both traditional atmosphere and modern design solutions.

    “The building represents both rural simplicity and modern minimalism, fitting perfectly into the surrounding landscape.”
    Located amid olive trees in the heart of Italian region of Puglia, this stylish white stone farmhouse stands proudly on the ridge, overlooking Adriatic Sea and the nearby town of Ostuni. The house, designed over a three-year process, was built with the use of local materials and traditional techniques. Trotter has studied the masserie (meaning ‘farm’ in Italian) to compare it historical meaning with modern aesthetics. In result, the building represents both rural simplicity and modern minimalism, fitting perfectly into the surrounding landscape.

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    “As in a traditional farmhouse, everything is set around the central courtyard.”
    As in a traditional farmhouse, everything is set around the central courtyard: the salon and veranda with their views to the sea, the staircase to the roof terrace, and the six rooms and
    suites on either side, half with private gardens, the other half with private terraces looking
    out across the fields.

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    More than that, ‘Masseria Moroseta’ also offers several ecological solutions. The thick walls with recycled insulation reduce the need for the use of air-conditioning during hot days and the heating in the winter time. The electricity and heat for the whole building are provided through solar panels, while all the food and drink served in the retreat are either self-produced by the owners or sourced from local farmers, producers and artisans.

    “All the food and drink served in the retreat are either self-produced by the owners or sourced from local farmers, producers and artisans.”

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    Masseria Moroseta is Trotter’s first piece of architecture so far, and since its opening, the designer has begun two more architectural projects, along with designs for lighting and furniture.

    All images © Salva López

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  • Austin Irving Explores The Show Caves

    A collection of large format photographs of domestic and international show caves, Austin Irving’s series explores anthropocentric tendencies of modern tourism.

    “Are these additions acts of vandalism disrupting a delicate ecosystem for the sake of commercial profit?”
    “The objective of this body of work is to highlight the tension that exists between the staggering natural beauty of caves and the renovations people make in order to transform these spaces into spectacular tourist attractions,” says Irving. The artist has visited ancient caves in Singapore, Vietnam, Malaysia, New Mexico, Virginia, Arizona, New York and Tennessee to observe the trend. Elaborate lighting, elevators, bathrooms and souvenir stands – all of these have been constructed to fulfill the physical needs of the sightseers, while meeting their collective expectation and image of a cave. In that way, the ancient geological wonders have become accessible and marketable to gain a commercial success. Irving asks through her work: “Are these additions acts of vandalism disrupting a delicate ecosystem for the sake of commercial profit? Or do these human interventions draw attention to the preservation of caves and make hard-to-access natural wonders readily available for appreciation?”

    All images © Austin Irving

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  • An Extreme Road Trip Through Alaska With Alex Strohl

    Alex Strohl’s work is characterized by his extraordinary travels and extreme adventures. Continually blurring the lines between work and life, he captures authentic moments and creates contrived scenes. This time, French photographer takes us on a fascinating trip through wild Alaska.

    “Alaska is perhaps my favorite place, a rare place where nature is still at full work, preserved in a unique way.”
    Travelling through the diverse and almost inaccessible land, Strohl wanted to tap into the remoteness of this raw part of the world, finding ways to explore its corners and crevasses. With landscape carve across the landscape, unpredictable weather and few, often rough roads, Alaska may seem like a challenge. Strohl, known for his unusual travels, went on a road trip to discover not only the land, but also the sport activities among extreme conditions – including glacier kayaking and biking, and camping on an island.

    “Alaska is perhaps my favorite place, a rare place where nature is still at full work, preserved in a unique way,” he tells, revealing the breathtaking scenes from his trip.

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    Alaska has an overwhelming sense of remoteness, coupled with a powerful proximity to wildlife. This world is shared with a vibrant ecosystem, headlined by some of the largest, most majestic mammals on earth.

    “Alaska has an overwhelming sense of remoteness, coupled with a powerful proximity to wildlife. ”

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    Life on the road means freedom, finding swimming holes off the road, scouting camp spots in the hills and choosing whenever you want to stop. None of us had driven the entirety of the Alaska highway. Carving through Northern BC, south-western Yukon and the heart of West Alaska was fascinating. Watching the ever changing landscape shift over the long and impossibly diverse highway was something that you can only experience in a car. Everyday, we would try to find an impossible mountain trail with potential for good views and having the Discovery to do so was a bonus.

    “Watching the ever changing landscape shift over the long and impossibly diverse highway was something that you can only experience in a car.”

    “Despite spending the heart of summer here the changes were common and unpredictable.”
    Dealing with weather and its rapid shifts in southern Alaska became a theme of the trip. Despite spending the heart of summer here the changes were common and unpredictable. While down in Homer, we hoped to get up in a float plane above the Harding and Kenai Ice-fields. Eventually, we caught a break on this rainy overcast morning to get up, the most beautiful time of day was often just as the rain cleared, so the sun could peak softly through.

    This was a shot I had in mind for most of the trip, from up in the heli as two friends biked underneath along a gravel ridge, skirting the glacier. Something about the contrast drew me to the idea of someone biking surrounded by ice, in such an inhospitable environment. After about a millisecond of hesitation, Peter from the Knik River Lodge, agreed to hop on the second bike with Isaac, not being a very experienced biker himself, but game to try something that probably hadn’t been done before.

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    “It was a magical sunrise as we paddled towards the glacier, through perfectly still waters, patience was a virtue.”
    Portage glacier rests behind a large lake bearing the same name. For weeks we tried to catch it on a calm morning, however being so close to the ocean, weather was unpredictable and often both wet and windy. Finally, just a few days before we were headed off the peninsula, conditions were ideal. It was a magical sunrise as we paddled towards the glacier, through perfectly still waters, patience was a virtue.

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    If you want to find a gem hidden in the Alaskan landscape you better find someone who knows.
    Down in Homer, tucked into the Fjords, that probably means someone with a boat. For us that
    meant Brad from Coldwater AK. We had spent the day before out on his boat, tracing the
    coastline, looking for a spot to camp. Eventually we found an island tucked down a nearby
    peninsula, an island we had no chance of finding, much less accessing without the help of
    someone who grew up on these waters, who called this bay home.

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    All images © Alex Strohl

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  • Busan Times By Moon Hoon

    “Although I am afraid that if I call it the owl, it will continue going by this nickname and it will be regarded within this context, I would nevertheless like to call it the owl.” 

    This 116 square-meter house in Busan, South Korea closely resembles an owl with an exaggerated head and eyes looking to its side (or back). The South Korean architect, Moon Hoon, was commissioned to design a 3-story house for a client whom works in the security industry – making them have their own personal “lookout” through the “Owl’s” head at night time, also known as the child’s room’s windows. Hoon is sometimes commissioned for architectural projects based upon his paintings, colliding artistic worlds of purposeful and exaggeration, “Although I designed it imagining a child climbing down a pipe through the opening like a firefighter, I had to give it up as the client and their parents became concerned at the time of completion”.

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  • Boat House By WE Architecture

    The wooden cabin is another neat example of “the pursuit of countryside quietness” that became a movement among the partakers of modern times in hectic and crowded urban areas.

    Boat House by Copenhagen-based architecture studio WE Architecture, built for a private client, is a serene nest in the nature and a smart storage solution. Situated 20 meters from the water edge, the simple house with clean forms merges discreetly into the picturesque scenery of Danish island Zealand. The essential quest for the architects was client’s desire for multifunctional house. Shelving and storage for boats, bikes, kayaks, fishing gear and tools is built into east-facing wall, and the living area with exposed beams turns the house into a minimalist dwelling allowing pleasures of simple life. To emphasize the natural setting, architects decided that cedar wood, as a construction material would compromise both esthetic and function. Cedar gives a silver-grey patina to façade transforming the house into neutral object of the landscape while its natural resistance to moisture is promising longevity. The concrete floor, a subtle contrast to warmth of the wood, is visually extending Boat House to the nearby sandy coastline. WE Architecture’s young team “strives to push innovative architecture forward to improve the condition of the world”. The crucial word in philosophy and practice of We Architecture is “we”, meaning that innovativeness continuously derives from collaboration and communication.

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  • En Concreto By Liliana Ovalle

    En Concreto is a collection of narrowed objects, exploring the materiality of concrete and its cultural reference to modern architecture. Inspired by the architectural style “béton brut”, the sculptures are cast in different textures and geometries, featuring ridged towers and smooth curved surfaces.

    Liliana Ovalle used disposable cups and buckets to create prototype sculptures made of different moldings, before casting them by hand. The series is constituted of four pieces associated with one of the 20th century’s most controversial architecture movements. Her sculptures indicate buildings of Lina Bo Bardi, Felix Candela and Louis Kahn, as well as Le Corbusier’s La Cité Radieuse in Marseilles. The artist adopted the sculptural terrace roof of the apartment complex in the French city, which was one of the architect’s first experimental developments created in Europe, to design her small concrete shapes. The En Concrete collection was designed for the Slow exhibition, taking part at Schloss Hollenegg for Design residency, a creative platform based in the medieval castle in Graz.

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  • The QL House By Visioarq

    Located in one of the most exclusive areas of Algarve, Portugal, the QL House keeps the balance between the outdoor and indoor spaces, respecting the relationship between the owner and the surrounding landscape.

    “The spaces were designed to create constant relations between indoor and outdoor spaces.” The residence offers the view of its captivating surroundings, including golf courses, high-end neighborhood and the Atlantic Ocean. “The QL House project was an exercise in balancing spaces and landscape integration,” say the architects from Visioarq. In result, they found the right balanced between the full and empty, and kept the right relation between light and darkness caused by the changing shadows. The project also deals with finding the right proportion between private and semi-private areas and the view of the surrounding landscape. The designers add: “The spaces were designed to create constant and singular relations between indoor and outdoor spaces, in a permanent and multifaceted dialogue.”

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