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Bluesmass, Berlin, 1983
Harald Hauswald / OSTKREUZ
Commencing in the late 1970s and early 1980s there were being new movements inside the German punk scene, led by labels like ZickZack Records, from Hamburg. It was for the duration of this period of time that the expression Neue Deutsche Welle (New German Wave) was initial coined by Alfred Hilsberg, operator of ZickZack Records. A lot of of these bands performed experimental article-punk, typically employing synthesizers and personal computers.
h/t: vintag.es
Punks in East-Berlin, 1985
Harald Hauswald / OSTKREUZ
In the 1980s, numerous new punk bands turned popular in the scene and developed the so-termed “Deutschpunk” design and style, which is not a generic phrase for German punk rock, but an possess style of punk songs that involved quite primitive songwriting, extremely quickly rhythms and politically radical left-wing lyrics, largely affected by the Chilly War.
Different church congress (church from down below), Berlin-Friedrichshain, 1987
Harald Hauswald / OSTKREUZ
For the reason that of repressions by the condition of East Germany, there was only a secret punk scene that could acquire there. One of the most preferred bands have been almost certainly Schleim-Keim, who also received well known in West Germany. Only in the past yrs of the German Democratic Republic (GDR) did the authorities allow some bands like Feeling B or Die Skeptiker from East Berlin, but people bands were being criticized in the scene for cooperating with the federal government. Some of these bands applied for and acquired “amateur licenses” to make it possible for them to execute in state-sanctioned venues, while nonetheless sustaining connections with the underground East German punk group.
Punkrock live performance in a church hall of the protestant church, Karl-Marx-Stadt, Saxony, 1985
Harald Hauswald / OSTKREUZ
Harald Hauswald’s photos demonstrate daily everyday living in the GDR in all its aspects, among SED dictatorship and underground opposition. Hauswald, who was born in Radebeul, went to East Berlin himself after an apprenticeship as a photographer and turned element of the scenes he documented there. With all clarity, his pictures, taken from the late 1970s to the mid-1990s, articulate the dignity of people portrayed, the transformation of East Berlin’s city room, and the function of oppositional teams and youth cultures in an East German republic marked by decay.
Alexanderplatz, Berlin-Mitte, 1988
Harald Hauswald / OSTKREUZ
Yard live performance in the Schliemannstrasse with the band Rosa Excess, Berlin, 1982
Harald Hauswald / OSTKREUZ
Early punks, Kastanienallee, Berlin, 1982
Harald Hauswald / OSTKREUZ
Rock concert at the open up-air theatre, Berlin-Weissensee, 1990
Harald Hauswald / OSTKREUZ
Weinbergsweg in Berlin-Mitte, 1988
Harald Hauswald / OSTKREUZ
Rock concert at the open-air theater, Berlin-Weissensee, 1990
Harald Hauswald / OSTKREUZ
The band “itching”, avenue party in entrance of the youth club “impulse”, Berlin, 1981
Harald Hauswald / OSTKREUZ
Kurt Wanski, In the zoo, Berlin-Friedrichsfelde, 1988
Harald Hauswald / OSTKREUZ
Yard concert in the Schliemannstrasse with the band “Rosa Extra”, Berlin, 1985
Harald Hauswald / OSTKREUZ
Hirschhof, Berlin, 1985
Harald Hauswald / OSTKREUZ
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