Picking up on the regional characteristics and shapes of the local building tradition, the firm created a complex composed of structures grouped around a central foyer, each in the size of the town’s native houses. Despite appearing as a mere addition to the village buildings due to their steep roofs reminiscent of the reed roofs native to the region, the architecture is of contemporary origin, distilling “the archetype down to a pure, abstract form,” the architect explains. The complex is cladded with a homogeneous envelope of profiled brass sheets in a golden brown tone, interrupted only by carefully positioned openings. “The correspondence of external and internal form leads to an unexpected spatial experience,” says the firm. Roofs are topped off with coffer-like skylights that provide diffuse light and create a focused atmosphere in which the exhibits take full effect; a narrow glass door links indoor spaces to the outside world. Inside, restrained interiors complement the minimal palette of light-gray floors and white walls and ceiling surfaces, adding warmth and texture to the four exhibition rooms.
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