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With C.1950, Jake Michaels Empathetically Documents The Intriguing Mennonites Of Belize

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Your style is distinctly very cinematic, how would you describe it in your own words? What themes do you work with in general?

I think cinematic is the correct term for my work. Scouting, like when making a film, is essential to my practice. I find myself scouting for locations more than I find myself actually photographing. The lead-up to a photograph can be a very long process but takes half of a second to make.

What other forms of art and culture are you interested in? And do these mediums influence your photographic work?

I am deeply influenced by other mediums, along with photography. I studied studio art at university, and I would say sculpture and installation work impact my practice. The work of Simon Starling showed me how you can use photography as a part of an exhibition rather than the whole exhibition. As per photography, I am really drawn to long-form journalism work. I find that it is a way to see what is going on in our world, rather than just my own world.

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