Although many painters decide on to recreate the stationary men and women or objects all over them, artist Betty Acquah captures life in motion. She utilizes swatches of lively shade and mesmerizing styles to illustrate the rhythm and natural beauty of dances in her native Ghana.
Acquah’s distinctive model resembles the two the expressive dabs of paint from Van Gogh and the specific pointillism of Seurat. Her thoroughly curated coloration palette is applied onto the canvas with thick rectangular brushstrokes, touring about the figures and in direction of the edges of the canvas. As a consequence, these vivid vortexes communicate the electrical power of the figures in mid-movement. “The track record echoes the motion of figures and thus build(s) a pulsating surface that delivers the composition alive,” she claims. “By extending dabs of shade in the subject matter issue into the qualifications and vice-versa, an illusion of movement is produced.”
All of the figures in Acquah’s paintings dress in conventional garments that ties in with their performances on the other hand, their faces mix into the bursts of colour. In accomplishing so, the artist emphasizes the fact that these dancers are in the midst of their schedule. “Women are the unsung heroines of the Ghanaian Republic,” describes Kuaba Gallery, who represents the artist in the United States. “The illustrations or photos she depicts notify of common ladies performing courageously in the direction of a increased Ghana.”
You can perspective Acquah’s paintings in individual at the Kuaba Gallery in Carmel, Indiana.
Ghanaian artist Betty Acquah captures dancing and transferring figures in her series of colourful paintings.