Category: Photography

  • AI’s Creation of Faux Apple Products with Realistic Prices » Design You Trust

    AI’s Creation of Faux Apple Products with Realistic Prices » Design You Trust

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    Certainly, the possible of artificial intelligence can be harnessed to tackle world wide warming or find a cure for most cancers.

    However, Redditor AdAstraAtreyu has opted to use it for producing counterfeit Apple objects. It’s a persuasive decision. The pleasantly reasonable and inexpensive price tag tags connected to the products are a clever addition. Undoubtedly, at the very least 4 of these creations are sure to become genuine products and solutions in the long term, it is a harmless guess.

    Far more: Reddit

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  • Steffi Graf’s Unforgettable Ride with Opel in 1988 » Design You Trust

    Steffi Graf’s Unforgettable Ride with Opel in 1988 » Design You Trust

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    For the younger boys of the 1980s, German tennis feeling Steffi Graf was the epitome of stardom. Consequently, when an Opel Corsa carrying her identify hit the streets, it was like the ideal fruits of a thrilling tennis match. Graf was a drive to reckon with on the tennis court docket, wielding highly effective forehand strokes, a formidable serve, and let us encounter it, she was gorgeous, with her blonde hair and distinct German appears to be like.

    h/t: vintag.es

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    As she was a model ambassador for Opel, it was a strategic go for the company to capitalize on her fame and launch a particular version product — the Opel Corsa Steffi Specific. Brace oneself for extra tennis-themed humor, as it could make appearances all through this piece.

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    When the press advertisement showcased Graf lounging on the car’s bonnet or laying in entrance of it, the dilemma on the lips of many German adult men was “Kommt sie mit dem Automobile?” (Is she coming with the car?). The ad designed the position, “If you request Steffi, great equipment is in some cases fifty percent the victory”, adopted by a list of specifications that have been outstanding, even for that era.

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    The Steffi Specific was far from ordinary, that includes Steffi facet stripes, a signature on the tailgate, and potentially the most distinctively excellent/negative seat handles you have ever come throughout. These handles may possibly have seemed excellent on a Steffi Graf branded cover and pillow established, but in an Opel Corsa, they have been quite the sight. On the upside, the automobile came with a Steffi Graf backpack and umbrella.

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    At first, the car came in a white hue explained as “as white as the sport”. Having said that, later on models were built available in either red or black, with an optional electric folding roof.

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    However, Opel terminated its partnership with Graf in 1995 due to tax evasion allegations, so the chance of viewing a Grandland X Steffi Specific is almost non-existent.

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  • Germany’s Innovative Response to a Rubber Shortage » Design You Trust

    Germany’s Innovative Response to a Rubber Shortage » Design You Trust

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    Let’s delve into the interesting record of the tire, which started to collect important momentum with the creation and subsequent popularization of tires in 1895, thanks mainly to Michelin L’Éclaire – the to start with vehicle to be outfitted with them.

    h/t: vintag.es

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    The development of tires as we know them right now wouldn’t have been doable without two groundbreaking innovations – Charles Goodyear’s rubber vulcanization system in 1839 and Dunlop’s creation of the interior tube in 1887. These two parts, rubber and air, have been instrumental in shaping the modern tire marketplace.

    22

    There’s a minor-acknowledged chapter in the tire’s record, however, which could hold the key to its long run. Throughout the early 20th century, Entire world War I led to a scarcity of rubber and posed challenges in inflating tires with air. To address these issues, the Germans, in 1916, ingeniously engineered a metal spring tire for a motor vehicle referred to as Protos. This innovation proved to be much more reliable than rubber tires and was immediately employed in military motor vehicles as a prime priority. The story of the tire is not just a journey by means of time, but also a testament to human ingenuity in conquering issues and looking to the long run.

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  • In Conversation With Photographer Mustafah Abdulaziz: On The Arctic And The Interconnectedness Of Our World

    In Conversation With Photographer Mustafah Abdulaziz: On The Arctic And The Interconnectedness Of Our World

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    Your photographs reveal the complexities of our behaviors towards the water while reminding us of the urgent need to work towards a harmonious coexistence between nature and humankind. In previous interviews, you have said that, with ‘Water’, you hope to make people sensitive to the issue and mobilize themselves to protect this resource. What do you personally take away from this project?

    That was a bit optimistic to hope for. Maybe ten years ago, that idealism made sense. Last year, I saw a movie called ‘Triangle of Sadness’, and towards the end of the film, the social paradigm of the characters stranded on the tropical island shifted comically and tragically in favor of people who hadn’t been empowered in the social structure that led to their boat disaster. When people have the luxury of ignoring the incredible scale of their selfishness, materialism, and apathy, they tend to make some pretty absurd and short-sighted choices. I kind of view the idea of photography mobilizing people to protect this resource, and therefore themselves, kind of like that film’s plot twist.

    Water is my subject, sure, but it’s actually the reflector I use to speak about absurd and surreal behaviors. My job isn’t shining a light or bearing witness or any other trite platitudes. It’s not about protecting a resource but ensuring our survival. What I get out of the project is purpose. I take all that anger and sadness at the same things we all witness and do something about it. I’m extraordinarily lucky that what I do reflects my convictions of humanism, equality, and equanimity, of a belief in leaving things better than they were left to us. The act of compassionate observation and humanistic documentation is my way of commenting upon this great tragedy we are all living through and showing that these things are worth fighting for.

    Apart from photography, what other sources of happiness do you find?

    Dialing into someone’s work process: impassioned craftsmanship. Cinema—Paul Thomas Anderson, Lynne Ramsay, Denis Villeneuve, Claire Denis. Cinematography—Roger Deakins, Emmanuel Lubezki, Greg Fraser, Natasha Braier. Road trips and long train journeys. The coasts of Italy. Byrne v Fischer (New York City, 1956) or Karpov v Kasparov (Moscow, 1985). The mountains of the Midwest. Learning a new way to do something better. Aviation, philosophy. Books, books, books. Late-night dance floors. Music, wine.

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  • Delving into the Dreamlike Art of Rob Gonsalves » Design You Trust

    Delving into the Dreamlike Art of Rob Gonsalves » Design You Trust

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    Rob Gonsalves, a distinguished Canadian artist, has been enchanting world audiences for several years with his distinct and imaginative artworks. His paintings show a myriad of optical illusions that toy with perception, crafting whimsical eventualities that are both surreal and mesmerizing.

    His artworks possess the capability to whisk viewers absent into fantastical dimensions where boundaries are defied and reality adopts unfamiliar designs. They induce a sense of marvel and admiration, although simultaneously giving a deeper knowledge of our perception of reality.

    If you are still to check out the world of Rob Gonsalves’ art, it comes highly advised! His paintings are guaranteed to spark inspiration and a perception of question, complicated your perception of each day fact.

    Extra: Rob Gonsalves, Fb

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  • Selective Imagery from Earth Photo 2023 Competition » Design You Trust

    Selective Imagery from Earth Photo 2023 Competition » Design You Trust

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    Ranging from illustrations or photos of eco-helpful fishing to harmful battery waste, these chosen photos have been handpicked for their potent narrative about our planet’s current situation.

    Sandipani Chattopadhyay, Environmentally friendly Barrier
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    Fishermen in India’s Damodar River navigate the thick expansion of algae prompted by the reduction of new drinking water, a outcome of world-wide warming and irregular monsoon seasons. This situation poses a considerable obstacle for the locals living together the river, who battle to endure amid the algal bloom, which helps prevent oxygen absorption and affects human overall health and habitats in the space. The shortlisted pictures will be on screen at the Earth Picture exhibition, Royal Geographical Culture (with IBG), London, from 17 June to 23 August 2023. Photograph: Sandipani Chattopadhyay

    Additional: Earth Image 2023 Competitors h/t: guardian

    Kerry Lowes, Coral Slime
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    A single of the main roles of coral slime mould is in nutrient cycling. As a decomposer, it allows to sustain the health of the ecosystem by recycling vitamins and creating them available for other organisms. It serves as a meals resource for invertebrates this sort of as snails and slugs, as properly as some species of birds and mammals. In addition, coral slime mould is imagined to be an significant indicator species, indicating that its presence or absence can give precious information about the health of an ecosystem. Photograph: Kerry Lowes

    Ju Shen Lee, Ingenuity Innovation on Inle Lake, Myanmar
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    The fishers on Myanmar’s Inle Lake reside in a symbiotic, synergistic and sustainable coexistence with nature. They fish individually with basket traps, in pairs with line nets, and spear-fish in smaller groups. They barbecue their capture in excess of open fires on their wood boats. Sustainable fishing makes certain their community’s livelihood. So they selflessly harmony their capture dimensions with the remarkably variable water stages, brought about by large monsoons, wet summers and dry winters. Photograph: Ju Shen Lee

    Neil A White, Lost Villages
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    The Holderness coastline located in the north east of England endures the best fee of coastal erosion in Europe. The devastating consequence of this is villages and land little by little disappearing into the sea. The Misplaced Villages challenge explores the constant struggle in between the North Sea and the mainland, and documents the irreversible alterations taking spot. Photograph: Neil A White

    Joanna Vestey, Crate to Plate
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    Honor Loxton, web site supervisor and senior farmer at Crate to Plate, seems to be just after a few delivery containers of hydroponics greens expanding in Elephant and Castle, London. Photograph: Joanna Vestey

    Rob Kesseler, Airborne Ilex
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    This highly pullulated sample is from a holly leaf gathered in Kennington, London. Employing information gathered from an X-ray spectrometer it discovered traces of aluminium, magnesium, calcium, silicon, iron and carbon magnified by 1,000. The colour data was utilized as the foundation for hand-colouring the impression which was designed to develop a experience of a micro landscape of dystopian turmoil. Photograph: Rob Kesseler

    Azim Khan Ronnie, Brick Kilns
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    The amazing scale of Bangladesh’s brickmaking industry is captured in this picture, which demonstrates them piling up in thousands as production procedures wreak havoc on the surrounding natural environment. It is believed that just one million men and women churn out tens of billions of bricks each and every yr throughout 7,000 independent kilns. Brick kilns are the prime air polluter in the country, specifically through dry period, when most bricks are made, turning the air good quality seriously unhealthy. Photograph: Azim Khan Ronnie

    Michal Siarek, War Toddlers
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    Considering that the Russian invasion, a tremendous hard work to preserve wild and unique animals of endangered species has been carried out in Ukraine. As Russian forces were nearing Kiev, the initially transport of significant cats was improvised with makeshift crates. As soon as sealed, motorists could not open them. The convoy was to start with stopped by Russian forces but inevitably produced it by with a hold off. This was hazardous to cats that could not be fed on the way. The animals were repacked on the Polish border by the ZOO crew. Photograph: Michal Siarek

    Neal Haddaway, Absent Fishing
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    A fish farm off the coastline of Roquetas de Mar in Spain appears nearly like slices of a turquoise citrus fruit. Little from superior over, each individual floating pen retains hundreds of hundreds of fish. Equipment spins and whirs, throwing out food stuff at standard intervals. It is a streamlined equipment manufacturing food for close by diners. Can they hear the thrashing throng of fish, squeezed into this kind of small spaces? Can they style the dense chemical compounds in the h2o guarding the fish from bacterial infections? Photograph: Neal Haddaway

    Sandra Weller, E-waste in Ghana
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    A damaged battery, which was applied in a photovoltaic technique, at the e-squander dump. The direct is the most important component and remarkably toxic in immediate get in touch with with a individual. The batteries are usually opened with machetes, the acid is thrown absent, the direct is melted collectively in fabrics all-around the port and transported back again mostly to Europe, China or the US, where by it is used all over again to create new digital items. There are no restrictions for experienced solar waste disposal in most African nations around the world, consequently it becomes aspect of the typical e-squander dilemma. Photograph: Sandra Weller

    Ellie Davies, Chalk Streams
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    Crystal very clear chalk streams intertwine and weave through the counties of Dorset and Hampshire in southern England. There are just over 200 chalk streams globally, 85% of which are located in southern England. They are a distinctive ecosystem supporting a higher biodiversity of wild creatures. Light-weight mirrored from the floor of the nearby sea is overlaid on to these river landscapes, building a glowing ingress. The transposed light symbolises climbing sea amounts as they insidiously impose by themselves on these pristine landscapes. Photograph: Ellie Davies

    Sam Laughlin, Tawny Owl
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    The sequence A Particular Motion is a meditation on the pure entire world and our spot within just it, concentrating on refined and intricate natural processes happening all around us, and the ways in which these procedures are manifested in the physical landscape. The actions of animals stick to rhythms and designs: seasonal migration, replica, nesting, feeding. These cyclical procedures have a importance that is imprinted on to the earth like a wordless textual content. Photograph: Sam Laughlin

    James Kirkham, Bellingshausen Sea
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    A few seals relaxation on a person of the only remaining floes of sea ice in the Bellingshausen Sea, Antarctica, surrounded by a chaotic melange of lesser ice blocks. A capsized iceberg, scarred in rivulets by underside melting, dwarfs the seals. The form of the iceberg gives adequate shelter for more compact pancakes of new sea ice to sort inside of its own melt pond. Photograph: James Kirkham

    Robin Dodd, The Edge of Existence
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    An ancient juniper tree in the High Atlas mountains in Morocco. The goats and nomads have taken elements of the branches and foliage for foodstuff and firewood more than the decades but remaining more than enough of the tree to deliver for foreseeable future travellers. Photograph: Robin Dodd

    Filippo Ferraro, Wooden Diamonds
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    A burning trunk of an olive tree in the countryside close to Felline, Italy. Considering that the commencing of this epidemic (when the plant bacterium Xylella fastidiosa began infecting olive trees), thousands of fields have been abandoned, causing a significant improve in fires, specially with the higher temperatures of the summer months. Photograph: Filippo Ferraro

    Subrata Dey, Food stuff in the Garbage
    1616
    Subrata Dey, Food stuff in the Garbage
    A garbage dump in Chittagong, Bangladesh. Many households in the city increase cattle, but fail to supply enough grass or pure fodder. The cattle then look for for foodstuff in the garbage. Photograph: Subrata Dey

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  • Celebrating Exceptional Portrait Photographers in AAP Magazine » Design You Trust

    Celebrating Exceptional Portrait Photographers in AAP Magazine » Design You Trust

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    Presenting the extraordinary photographers crowned as victors of ‘AAP Magazine #31: Portrait.’

    Echoing the words of Henry Cartier-Bresson, the act of capturing a portrait is a formidable task. It demands the photographer to bridge the void between the subject’s outer facade and their inner essence. The realm of portrait photography spans a broad spectrum of styles and methods, from simple subject identification to intricate emotional exploration. It surpasses the boundaries of typical studio portraits and casual family photographs, maturing into a separate genre that lets photographers exercise their unlimited creative prowess.

    A portrait holds the capability to provoke diverse reactions, ranging from illustrative and revealing to enhancing, questioning, or even disturbing. Despite the world teeming with countless faces, we are able to feature only a limited few in this fresh edition of AAP Magazine. In this issue, we take pride in presenting the viewpoints of 25 photographers originating from 11 distinct countries spread over four continents. Each of these gifted individuals communicates their unique personal stories and singular approaches to the craft of Portrait Photography.

    The Winner: The Series “Perspective” By Nanda Hagenaars (Netherlands)
    11
    “Portrait where I shift my perspective and try new ways of looking and photographing. Squeezing one eye, finding composition and contrast.”

    More: All About Photo, Instagram h/t: 121clicks

    The Second Place Winners: The Series “Alex” By Anna Hayat and Slava Pirsky
    22
    “The photograph Daughter of Chinghis Khan is a part of our larger project, in which we captured our daughter from birth to adulthood. Through it, we explore the process of growing up and the development of one’s personality.”

    The Third Place Winner: The Series “Anomium” By Matt Findley (USA)
    33
    “The Anomium series is informed by the concept of Higonnet’s knowing child – the idea that childhood is a time of both innocence and wisdom, a brief window blessed with this innocence but burdened by the knowledge of an unkind world. This series examines these ideas and seeks to evoke a sense of transformation that is at once haunting while retaining elements of this fading purity, and to serve as a testament to the resilience and beauty of childhood in the face of the journey towards maturity.”

    Merit Gallery Winner By Lisa McCord (USA)
    44
    “Frances was one of the first people I met on the farm with whom I didn’t already have a long-standing relationship. She welcomed me into her home, and we became good friends. I would go back to visit her often and photographed her many times. This is one of the few portraits I made of her using my tripod. When I looked at the film later, I realized the baby couldn’t hold still. From an outsider’s perspective, it may seem strange to make a formal portrait of someone in their bra, but it was normal for women on the farm to dress this way in their homes. The Arkansas heat and humidity led us to seek comfort any way we could. I ended up photographing many women this way.”

    Merit Gallery Winner By Alain Schroeder (Belgium)
    55
    “Belgium, Namur Province, Morialmé (Marche Saint-Pierre), the Marches of the Entre-Sambre-et-Meuse are on the Unesco List of Intangible Cultural Heritage. This march takes place primarily in the countryside, notably the route from the village center to the Poucet chapel. The Marchers are dressed in traditional costume consisting of a blue smock, white pants and red scarf.

    L’Entre-Sambre-et-Meuse is a historical region that lies between the Sambre and the Meuse rivers in Wallonia Belgium. Situated between Germany and France, two fiercely combative nations, the area endured incessant and often devastating passages for centuries.

    The processions that date back to the 13th century, traverse the countryside carrying the relics of saints preserved with great devotion accompanied by armed escorts. During the First Empire, soldiers from Napoleon’s army with their sumptuous uniforms joined the marches to defend cities and honor community ceremonies both civil and religious. The tradition continues today with hundreds of marchers dressed in Napoleonic military attire.

    From May to October, processions and marches take place primarily in the region between the Sambre and the Meuse rivers south of the cities of Charleroi and Namur.

    Inscribed in 2012 on the List of the Intangible Cultural Heritage of Humanity (UNESCO), they owe their enduring popularity not only to faith and historic imitation, but to the magnificent landscapes of this isolated region where customs and traditions have remained unchanged for centuries.”

    Merit Gallery Winner By Erberto Zani (Italy)
    66
    “Naomi, 5 years old, was born with hydrocephaly. At age of 20 days, she was adobt by Wisma Kasih Bunda Foundation (Semarang, East Java, Indonesia, 2023).

    Minamata’s disease is caused by chronic mercury poisoning.

    This metal, used in hundreds of illegal gold mines in the forests of Java, Indonesia, is contaminating the environment. Miners, who have worked for years in contact with mercury, have developed neurological degenerative diseases. But the spillage of gold mining waste has contaminated also the aquifers upstream: the villages downstream from the mines, have for years used water with mercury for domestic use and to irrigate crops. On Java island, are dozens of cases of poisoning: pregnant women have passed mercury to the fetus without their knowledge, causing irreversible damage to the unborn child with morphological and anatomical abnormalities. The disease is manifested by neurological problems, difficulty in movement, muscle weakness, visual, auditory and cognitive deficits, hydrocephaly. Paralysis or coma can also occur until death. These photo are part of the long-term project Venoms on the subject of pollution created by humans.”

    Merit Gallery Winner By Lori Pond (USA)
    77
    “‘As I See It’ comprises portraits that attempt to duplicate what my brain is seeing, opposed to what my eyes see. With this project, I’m looking at the human face as the starting point. I then try to see that face as my brain would, putting the most important features in the foreground, and bringing the least important to the background. From what I’ve read, the brain quickly sizes up a new face into just a few categories: 1) Will it hurt me? 2) Will it eat me? 3) Will it love me? The “sizing up” occurs before I can consciously register it.”

    Merit Gallery Winner By Frank Baudino (USA)
    88
    “These portraits were obtained while I had the privilege of serving the people of what is now South Sudan 18 years ago. I worked with Doctors Without Borders and was in charge of the therapeutic feeding center in the village of Akuem. The Sudanese, largely members of the Dinka tribe, generously allowed me to photograph them and tell their story. The purpose of this series is to bear witness to the human suffering that occurs in Sudan and surrounding countries due to famine and poverty.

    A vignette of my work in Sudan was published last fall in “Intima: A Journal of Narrative Medicine.”

    Merit Gallery Winner By Charles Shotwell (USA)
    99
    “A wet Chamoi wrapped around a manikins head , held on by rubber bands till dry. No retouching was used.”

    Merit Gallery Winner By Roberta Vagliani (Italy)
    1010
    “Nelson Mandela said «Education is the most powerful weapon you can use to change the world». This image was taken in a school in Zanzibar, where there are no desks, chairs or school supplies. All these little girls own is a notebook and their own memory. Knowledge is passed on to them by a single master. In every person there is the possibility to transform the world.”

    Merit Gallery Winner By Hugo Thomassen (Netherlands)
    1111
    “Walt Disco, with lead singer James Potter, is a Scottish post-punk band known for their unique style and powerful performances. The band members stand up for LGBTQ+ rights and freedom, celebrates individuality and selfexpression and encourages viewers to embrace their own creativity and unique identity. James Potter stated that he hopes Walt Disco can be a source of inspiration and empowerment for other queer people. He also expressed a desire to use his platform to raise awareness of the issues facing the LGBTQ+ community, such as discrimination and lack of representation. Walt Disco’s serves as a powerful statement of individuality and liberation and promotes inclusivity and acceptance for all.”

    Merit Gallery Winner By Annemarie Jung (Luxembourg)
    1212
    “The objective of the series is to depict the impact of dogmatism on practical life, and to provoke the audience’s self-inspection about their own beliefs.”

    Merit Gallery Winner By Ian McFarlane (USA)
    1313
    “On a hot summer day I meet with Amanda and her daughter Eva that their home. We did photos in their front yard using only natural light. I was amazed at the look Eva gave me in every frame. I was so happy to be able to create this image for them.

    Three years ago my sister and I had to place our mother in a home for those suffering from server dementia. My mother no longer recognized me or my sister. We had lost her to another reality, she was not coming back . My goal for this series was to create memories for these mothers and daughters to have and remember each other and for me to face the grief I had just begun to process, letting my mother go.”

    Merit Gallery Winner By Nicola Ducati (Italy)
    1414
    “The thousand shades of white told through a trip to the Yamal, the icy Siberian peninsula in the far north of the Russian Federation. This land is inhabited by the Nenets people, nomadic reindeer herders who, guided by the seasonal cycles and the needs of their herds, migrate incessantly in an infinite circle of movements between ice, frozen rivers and neverending winds in search of new pastures in the most remote tundra. The hostile environment did not stop their innate adaptability and gave them prosperity for millennia.”

    Merit Gallery Winner By Prescott Lassman (USA)
    1515
    “Off Kilter presents portraits that are slightly askew. In many photographs, the subjects find themselves in situations that are mildly uncomfortable. In others, the portrait may create vague feelings of discomfort in the viewer. In either case, the intent is to present a portrait where the equilibrium is just a little out of balance. In these off kilter moments, the subjects let their guard down briefly and reveal something unexpected and authentic about themselves. And in these moments of dysregulation, something authentic is also revealed about the viewer.”

    Merit Gallery Winner By David Dhaen (Belgium)
    1616
    “It’s a picture I have taking on the Gerewol festival in Niger. I was Lucky to be one of the few that attended this beautiful festival, where the fulani gather. This beautiful Girl i saw walking and I asked if i could take her pic. She said yes. I have few of her. Also where she is smiling, but the gaze she gave me here on this picture, took my breath away. The serene beauty she is. With those eyes and skin. A real Nomads Rose.”

    Merit Gallery Winner By Emily Fisher (USA)
    1717
    “My ongoing body of work Natural Tendencies studies the complex and symbiotic relationship between humans and the natural world. I am acutely aware of the precarious nature of our shifting environment, of the fragility of life and the ephemerality of childhood and I use my photographs to express this sensibility.”

    Merit Gallery Winner By Laurie Freitag (USA)
    1818
    “The Hammock from the series, ‘The Lost Years’, the years that most adults can’t remember before the age of seven-years-old.”

    Merit Gallery Winner By Marc Gaillot (France)
    1919
    “That day, I decided to lock myself in the dark, alone in front of my mirror. My wish is to think outside the box and get original portraits straight from the camera. Camera in black and white with hi contrast mode, a light behind me, a few drops of water well lit. Then much patience to find the right shutter speed, fair exposure compensation and the right movements to follow. Here, a powerful rendering, dark, confusing, frightening, poetic, .. everyone be free to interpret them as he wishes. Virtually no post processing, just a cropping, an adjustment of shadows and whites.”

    Merit Gallery Winner By Joseph-Philippe Bevillard (Ireland)
    2020
    “Irish Traveller Biddy leans against a horse transport box for the photograph. She lives in a 3-berth caravan on the roadside campsite with her parents and ten other siblings.

    In 2009, I started photographing the Travellers who are an ethnic group at a horse fair in Ireland. I returned to the horse fair the following year to meet them again and to give them some photos I had taken. They gained my trust and invited me to photograph their families and other clans. I am intrigued by their nomadic lifestyle so I decided to visit their caravans, halting sites and roadside encampments. In March 2017, Irish Travellers group have been formally recognized as an ethnic group. Today, they are still facing racism, discrimination, hardship by society and high suicide rates. Travellers are very proud of their culture. I want to represent these people through my photographs. My goal is to continue to work with these families as well as other members that I encounter, and perhaps let the settled people have more understanding of their unique culture.”

    Merit Gallery Winner By Stephen Hoffman (USA)
    2121
    “Coney Island Beyond the boardwalk is the title of this project . I am a documentary photographer who has who spent the last dozen years working with and photographing the people that live the housing projects in Coney Island . I mainly like to record people in their homes and places of worship. I give each person a copy of their picture. When I started this project, I worked with film and would come on Saturday morning with a group of pictures and people would line at the basketball court on 24th street to see if I had their photo. Many times, a mother or a sister would say that’s my brother or my grandma and I would give them the picture. The projects are like one enormous family. Everyone knows everyone else. Even though I now work with digital I still make photos to give out . My greatest thrill is to go to someone’s apartment and see my photos hanging on the wall.”

    Merit Gallery Winner By Rossi Fang (Taiwan)
    2222
    “Underpass worker break moment,Eat full the resting and eating snacks is a short time to relax.”

    Merit Gallery Winner By Eliane Band (Brazil)
    2323
    “I arrive, dazzled, at a settlement with 20 families from the Jat Fakirani community. In an increasingly pasteurized world, I am moved by the treasure of these moments. In every detail, I see the symbols of a culture that took millennia to form and is rapidly disappearing. From its magnificent traditional houses called PAKHO, through traditional clothing, its intimate relationship with animals, ancestral knowledge, everything is rare, unique and in the process of disappearing.”

    Merit Gallery Winner By Stephanie Eley (USA)
    2424
    “2020 was a year that confirmed a huge divide in the society we live in currently. Why are black men still being vilified unjustly? Stop, look closer, reach out, get to know him. Understand that he is a dynamic being – an educated, kind, and beautiful black man.”

    Merit Gallery Winner By Christian Bobst (Switzerland)
    2525
    “Samba Soknhna Ba, Ferlo Desert, Senegal, 2023; The pastoralists in the Ferlo Desert are an important example of people’s ability to adapt to extreme conditions and the importance of tradition and culture in a changing world. Although they face many challenges, they continue to live their lives and maintain their unique way of life.”

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  • A Journey into the Intricate Ink World of Tim Marr » Design You Trust

    A Journey into the Intricate Ink World of Tim Marr » Design You Trust

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    00

    From the heart of Melbourne, Australia, emerges an artist whose amazing talent transcends the common bounds of visual expression.

    Meet up with Tim Marr, an remarkable ink artist whose creations are absolutely nothing short of masterful. Employing scratching and stippling methods, he fashions intricate and charming performs of art that delve into multifaceted themes this kind of as consciousness, psychological endurance, wellbeing, record, and mother nature.

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    A person of the defining features of Tim’s artwork is the strong presence of black and white. With an intriguing mix of geometric factors and symbols derived from ancient cultures, his drawings provide an immersive journey into the narrative of every single piece. These components not only impart a exclusive sense of historical past but also stimulate an intellectual exploration into the theoretical aspects of his art.

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    A pay a visit to to Tim’s internet site features insights into the internal workings of this gifted artist. Right here, he candidly shares the motivations guiding his mesmerizing artistry: “Drawing has normally served as an outlet for me to articulate the feelings, aesthetics, and theories that captivate my intellect. Every of my creations narrates a tale – tales of expertise or encounters that hold profound private and artistic importance.”

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  • Recollecting the 1971 Stunning Photoshoot » Design You Trust

    Recollecting the 1971 Stunning Photoshoot » Design You Trust

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    sticky-fingers-david-montgomery-1sticky-fingers-david-montgomery-1

    One just cannot help but reminisce about the 70s when rock new music was reigning supreme. This was a golden era described by a lot of revolutionary albums, 1 of which was ‘Sticky Fingers’ by the famous Rolling Stones.

    This album, launched in 1971, marked a significant milestone in their musical journey. A vacation down memory lane recollects the legendary promo shoot for the album launch, an event as electrifying as the band alone.

    h/t: vintag.es

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    In the composition of the shoot, we noticed band members poised in purchase of Charlie Watts, Mick Taylor, Monthly bill Wyman, Keith Richards, and Mick Jagger. Even so, the generation of this memorable photograph was not as smooth as it may perhaps seem to be. Mick Jagger, a very important spark of the Stones, stored everybody in suspense as he arrived four hrs late to the studio. He seemed a lot less intrigued in participating with the camera, till David Montgomery, the guy guiding the lens, humorously reminded him the photograph was not intended for his individual scrapbook.

    sticky-fingers-david-montgomery-3sticky-fingers-david-montgomery-3

    The album cover itself stands as a testomony to the creativity of that time. It was adorned with a photograph of a zippered crotch, a shot rumored to be of Joe Dallesandro, while the id has been a issue of much discussion. This one of a kind principle was birthed by the legendary artist Andy Warhol, captured by photographer Billy Title, and brought to lifestyle by designer Craig Braun.

    sticky-fingers-david-montgomery-4sticky-fingers-david-montgomery-4

    ‘Sticky Fingers’ didn’t just turn heads with its controversial include, but it also etched a mark on the music charts. It was the Rolling Stones’ first album to dominate the variety 1 spot on equally the British isles and US album charts. It went on to obtain triple platinum certification in the US, with “Brown Sugar” topping the Billboard Hot 100 in 1971. This sort of is its significance that it observed a place in the Grammy Hall of Fame and made its mark in the Rolling Stone magazine’s record of the 500 Biggest Albums of All Time.

    sticky-fingers-david-montgomery-5sticky-fingers-david-montgomery-5

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  • Landfolk Offers A Hand-picked Portfolio Of Denmark, Norway And Germany’s Most Unique Holiday Houses

    Landfolk Offers A Hand-picked Portfolio Of Denmark, Norway And Germany’s Most Unique Holiday Houses

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    It is exactly this notion of getting out of the city and closer to nature while spending time with loved ones that spurred the launch of Landfolk. Seven former Airbnb colleagues, united by a mutual love of vacationing in one-of-a-kind summer houses, brought their concept to life in early 2021 in the midst of the Covid-19 pandemic. It was a time of momentous change in the travel industry, when restrictions meant holidays had to be fairly local, accessible by land and, ideally, little self-contained versions of paradise. Now, the increasing inclination toward sustainable travel helps give this concept traction well beyond pandemic conditions.

    Another shared experience among the team that was integral in the inspiration behind Landfolk was that searching for such beautiful, unique summer houses online was often a tedious process. So a key element of offering their curated digital portfolio, which initially contained houses in Denmark only but later extended to Norway and Germany, was that it must be a joy for the user to navigate.

    And it is. Landfolk houses all have something very special about them. Aesthetically, they are supremely tasteful, often in a pared-back Scandinavian way, with plenty of personality. Their design credentials are cutting-edge. The quality of materials and furnishings is extremely high. Then there’s the scenic location, which is always spectacular—sometimes with a mind-blowing mountainous lake view or something much more understated, like a calming cornfield. But instead of infinitely scrolling through a vast assortment of styles, like on other sites, you can be sure—if you’re a fan of good design—that you’ll easily find something you like here.

    On the homepage, you can check out Landfolk’s Collections for inspiration, grouped under helpful titles such as “Dog friendly,” “Nordic log cabins,” “Summer houses from the ’60s,” “Premium escapes,” and “Winter-friendly summer houses.” You can then begin curating your own Collection, earmarking all your favorites.

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