Category: Photography

  • Shane Lavalette’s Ode To The American South

    In the monograph ‘One Sun, One Shadow’, Shane Lavalette recalls his relationship with the American South and its musical heritage. His photographs are an extension of the series displayed in the earlier exhibition ‘Picturing the South’ at the High Museum of Art, in Atlanta.

    The photographer’s memories of the South are primarily associated with music and sounds of a bygone era. Acting as an examination of beautified melancholia, ‘One Sun, One Shadow’ documents not just people and places, but also music. The serene images seize the stillness of city streets, bars and nature while showing the pensive portraits of Southerns going about their daily lives. With his personal chronicle, Lavalette gives the vague old-school nostalgia to this musically rich area. Describing the photographer’s first monograph, the artist and poet Tim Davis writes, “They are quiet pictures that build to a boisterous whole. They speak from the endlessly renewed place of the photographic expeditioner who loves the world and knows it’s a well that never runs dry.”

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  • Germans Ermics’ Ombré chairs

    Designed by Latvian designer Germans Ermics, this colourful glass chair is based on a seat from 1976 of Japanese product designer Shiro Kuramata. This chair was meant to give the appearance of floating in air and was actually inspired by 2001: A Space Odyssey.
    Named Ombré chairs, a collection of this unique furniture was shown at Spazio Rossana Orlandi during Milan design week, assembled from panes of glass and joined together without screws or other visible fittings. Inspired by the minimal design, Ermics created his Ombré chair from panes of colored glass. By choosing simple geometric shapes, the designer plays with different colors in various shades. Through the use of color applied via an innovative process of pigmentation, Ermics is able to create beautiful and simple pieces of high-quality design. Additional to the chairs, the Ombré collection features a pair of curved glass screens. A taller version is made from clashing gradients of pink, orange, blue and green, while a smaller screen dyed with pastel pink that fades into orange. The flexibility of the technique allows the designer to create customized pieces of most diverse colors and sizes.

    All images © Jussi Puikkonen

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  • Emilio Jiménez Plays With Light And Shadows

    Working and living in Madrid, Spain, photographer Emilio Jiménez shows through his works the subtle beauty of the female body.

    In a series of black and white photographs Jiménez captures the many nuances of the physical beauty. However, he also shows the incredible play of light and shadows, almost painting the floral motifs on models’ bodies. The project, called ‘Anatomía natural, salvaje‘, was originally inspired by the great Brazilian photographer Sebastiao Salgado’s quote: “For eight years I had time to see, and to understand the most important thing: that I am as nature as a tortoise, as a tree, as a stone.” By these tender, delicate captures of the human body against the shadows of the plant, Jiménez wanted to convey the idea of our integrity with nature.

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  • Alberto Campo Baeza’s Minimalist Villa In Mexico

    Known for his clean, awe-inspiring minimalist designs, architect Alberto Campo Baeza has filled an outstanding residence in Monterrey, Mexico with golden light.

    “I did my utmost to ensure that this house would be the most beautiful in the world.”
    “For a Spanish architect, to build a house in Mexico is a privilege. To build a house in Monterrey is a gift,” says the architect about ‘Domus Aurea‘, a house finished in 2016. In this project, Baeza’s admiration to the prolific Mexican architect Luis Barragán is seen even more than in his previous project. The all-white, minimalist residence is not only filled with daylight – it’s flooded with “the golden light of Barragán,” as Baeza describes. This was possible thanks to the introduction of a high vertical wall, on which the southern light falls and then fills the space with the golden hue. This serene villa has its public areas on the ground floor, while the upper level features bedrooms and living spaces. At the top, there are private rooms and the stunning swimming pool, overlooking the area. The continuity to the garden was achieved through verandas and shaded areas. “I did my utmost to ensure that this house would be the most beautiful in the world. That is my stated intent with every new project that falls into my hands,” states the architect.

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  • Nendo Designs Adjustable Lighting For FLOS

    Tokyo-based design studio nendo released two new lamps for FLOS that can be adjusted to suit your own needs. The two black lamps, named the Gaku and the Sawaru, can be change in composition remaining in different looks.

    Gaku is a modular box and a lamp that can be altered with the addition of various accessories. When positioned within the box, the pendant can be adjusted to different heights. There is also a matching spot light that can be moved around within the square, while a directional light features a magnet and can be pointed anywhere. Additional magnetic accessories that can be added include bowls, vases, a tray, mirror, as well as bookends. Sawaru is a minimalist table lamp that consists of two cylinders that are leaned against each other. One part features the light while the other functions as a base that holds the light up at three different angles of 25 degrees, 40 degrees, and 60 degrees.

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  • Nostalgic Photos Of 1970s Rebel Youth Captured By High School Teacher

    Before Joseph Szabo was a world renown photographer, he was a teacher at Malverne High School in Long Island. And on his first days at the job he figured that he’s gonna need something special to catch the attention of his pupils. So he brought a camera into class…

    “I never had any agenda with my photography – it was never a money-making thing, it was just about connecting with young people – and so I think my photographs have a sort of authentic or genuine quality that a lot of people seem able to relate to,” Joseph told Huck Magazine. “I have always tried to capture these very personal moments, in an honest way, to show people doing exactly what they’re doing. They could just be sitting on the school steps smoking a cigarette or they could be hanging out of a car door waving their hands and saying, ‘This is the last day of school and I’ll never come back here again!’ They could be jumping in the air with excitement because of the music they’re listening to or they could be like one of my all-time favorites Priscilla – the little girl smoking at Jones Beach – who expresses something about girlhood as well as something about a certain kind of maturity and experience.”

    “All these subjects and moments mean so much to me. They helped me understand people and allowed me to connect with them over the years. I hope they mean something to other people too.”

    More info: joseph szabo

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  • KangHee Kim’s Addictive Vision

    Brooklyn-based photographer KangHee Kim never ceases to amaze us with her saturate, eclectic photographs.

    Kim’s images usually show surprising fragments of the urban landscapes. Focusing on vibrant colors and unexpected compositions, the photographer continually experiments and plays with her vision to explore something new. With an endless flow of ideas, Kim creates a fascinating kaleidoscope of bold images that alltogether create an addictive visual diary. As the photographer describes, the humor and playfulness are the core of her creative practice as “life is already is already so serious and complicated in the first place”. An incredibly productive artist, Kim regularly posts her daily discoveries on her Instagram account.

    All images © KangHee Kim

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  • Photographer Shoots Formula 1 With 104-Year-Old Camera, And It Looks Even More Dramatic

    If ever there was a sport that required rapid-fire photography, Formula One racing is it. Which makes what photographer Joshua Paul does even more fascinating, because instead of using top-of-the-range cameras to capture the fast-paced sport, Paul chooses to take his shots using a 104-year-old Graflex 4×5 view camera.

    The photographer clearly has an incredible eye for detail, because unlike modern cameras that can take as many as 20 frames per second, his 1913 Graflex can only take 20 pictures in total. Because of this, every shot he takes has to be carefully thought about first, and this is clearly evident in this beautiful series of photographs.

    Paul was inspired to cover F1 racing with his trusty Graflex after seeing a 1969 magazine containing images of that year’s Indy 500. Noticing that the photographer had captured the event deliberately blurry and out of focus, he set about trying to recreate this technique with modern F1 as his subject. He first started shooting F1 racing at the 2013 Spanish Grand Prix, and he’s now so passionate about the sport that he’s even launched a magazine called Lollipop, a publication for Grand Prix enthusiasts. Check out some of his pictures below.

    More info: lollipop magazine | instagram (h/t: petapixel, boredpanda)

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  • Ström Architects’ Hyperrealistic Renderings For Two Swedish Villas

    British architecture studio Ström Architects recently released a series of photo-realistic renderings for a duo of timber-clad villas to be built on the Swedish island of Lidingö.

    Created by 3D visualisation studio nu.ma, the imagery showcases the designs for “Pyrus 9” and “Pyrus 10”, two villas which share the same structure and floor plan, but will be distinguished by the design of their interiors and the color of their exteriors: one in a black stain, the other in an ash grey. Planned to be constructed on a steep hillside, the villas balance sweeping view with privacy considerations. “The roof [allows] fantastic views across the treetops and over the beautiful archipelago,” explain the architects.

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  • Kristian Burford’s Audition

    With his exhibition named “Audition”, Los Angeles based artist Kristian Burford explores the emotional possibilities of illusion, using mirror plane glass.

    Exhibited in the NYE + Brown Gallery on La Cienega Boulevard, the installation shows two life-size, fluorescent, beige office cubicles, each inhabited by a sculpture of a similarly beige-hued female nude, appearing bored and frightened. The first scene titled “In Love” exhibits the sculpture leaning against a desk, while the second scene titled “Love Object” shows a further sculpture resting on a partition. Each cage-like diorama is walled with two-way mirrors, visually multiplying the cubicles and nudes ad infinitum and from all vantage points. Kristian Burford deals with the unsettling dream in which you were naked in a classroom or in the office. This is the psychological situation Kristian Burford discusses in his life size installation of empty office cubicles with life-size sculptures of naked women. The beholder feels like spying on window-display mannequins in the middle of the night, not only to discover that they have secret lives, but also that these mannequin-like creatures have spirits and souls.

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